Q & A Page #2

Synopsis: A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty crime film.
Genre: Crime, Drama, Thriller
Director(s): Sidney Lumet
Production: TriStar Pictures
 
IMDB:
6.5
Rotten Tomatoes:
87%
R
Year:
1990
132 min
464 Views


"All right, you guinea, you bought it."

I threw the f***er out the window!

Threw him right out the window.

He goes right through the wire mesh,

out the window.

Now remember, this guy's stoned

so he thinks he's gonna die.

He thinks he's on the second floor,

and he goes...

Shits his pants.

He sh*t his pants.

He wasn't hurt too badly.

It was the ground floor.

He had some cuts, that's about it.

Now, we gotta go get the guy and he smells.

We bring him in the back.

I'm going to take him in.

I take him back to print him...

...and I make him put his hands

down in his pants...

...and he gets some of that sh*t

on his fingers.

I say, "Mr. Calabrese,

we ain't got no more ink pads.

"You've got to use your own sh*t."

No more out of Mr. F***ing Calabrese.

[Officers laughing]

BRENNAN:
I'm Mike Brennan.

You're the Homicide ADA?

- Yeah. Hi. Al Reilly.

- AI Reilly, it's a pleasure.

I guess I'm the guest of honor, so to speak.

I'll do the introductions.

This is Captain Flynn.

This is Lieutenant Keely,

from the PC's office.

Officers Corbin and Ramon,

first on the scene.

Detective Valentin here.

He's working the case

with Detective Chapman from Homicide.

Call me Chappie.

We're your arms and legs, Reilly.

- You want a Pepsi, Chappie?

- Yeah.

So, you're a lawyer now?

You don't do no running around no more.

That's right, you was a cop once, right?

In the 23?

- That's right, Lieutenant.

- It's a pleasure.

It's about time they brought them

from the force into here, right?

It's a pleasure. I knew your old man.

It's cops like that that made us the finest.

We were just telling some old war stories.

Mike was just telling us

what cojones he got.

The jungle bunny over here

is laughing his ass off...

CHAPMAN:
You ain't nothin' but a n*gger

with straight hair.

Gentlemen. You're in violation

of Police Department directives.

Racist epithets are not permitted.

Excuse me, sir.

Who's a racist? Me and Chappie?

We're the minorities, man.

You're damn lucky to get us.

If we quit, some Federal judge

take away your money.

Brennan, he ain't no racist.

He hates everybody.

He's an equal opportunity hater.

[All chuckle]

Lubin, what the f*** took you so long?

I almost got mugged on the subway.

Where were you pricks when I needed you?

Would all present please leave their name...

...badge and assignment number

with the stenographer before leaving?

REILLY:
Thank you.

Now at approximately 12:30 this morning...

...something happened.

REILLY:
Right, Lieutenant?

Correct, Mr. Reilly.

Where did this something happen?

At 3111 Park Avenue,

city and county of New York.

Tell us in your own words,

tell us what happened.

Rate this script:4.0 / 1 vote

Sidney Lumet

Sidney Arthur Lumet ( loo-MET; June 25, 1924 – April 9, 2011) was an American director, producer, and screenwriter with over 50 films to his credit. He was nominated for the Academy Award for Best Director for 12 Angry Men (1957), Serpico (1973), Dog Day Afternoon (1975), Network (1976), and The Verdict (1982). He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 14 of his films were nominated for various Oscars, such as Network, which was nominated for ten, winning four. The Encyclopedia of Hollywood states that Lumet was one of the most prolific filmmakers of the modern era, having directed more than one movie a year on average since his directorial debut in 1957. He was noted by Turner Classic Movies for his "strong direction of actors," "vigorous storytelling" and the "social realism" in his best work. Film critic Roger Ebert described him as having been "one of the finest craftsmen and warmest humanitarians among all film directors." Lumet was also known as an "actor's director," having worked with the best of them during his career, probably more than "any other director." Sean Connery, who acted in five of his films, considered him one of his favorite directors, and a director who had that "vision thing."A member of the maiden cohort of New York's Actors Studio, Lumet began his directorial career in Off-Broadway productions, then became a highly efficient TV director. His first movie, 12 Angry Men (1957), was a courtroom drama centered on tense jury deliberations. Lumet subsequently divided his energies among other political and social drama films, as well as adaptations of literary plays and novels, big stylish stories, New York-based black comedies, and realistic crime dramas, including Serpico and Prince of the City. As a result of directing 12 Angry Men, he was also responsible for leading the first wave of directors who made a successful transition from TV to movies.In 2005, Lumet received an Academy Award for Lifetime Achievement for his "brilliant services to screenwriters, performers, and the art of the motion picture." Two years later, he concluded his career with the acclaimed drama Before the Devil Knows You're Dead (2007). A few months after Lumet's death in April 2011, a retrospective celebration of his work was held at New York's Lincoln Center with the appearance of numerous speakers and film stars. In 2015, Nancy Buirski directed By Sidney Lumet, a documentary about his career, and in January 2017 PBS devoted its American Masters series to Lumet's life as a director. more…

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Submitted on August 05, 2018

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