On the Waterfront Page #4

Synopsis: Dockworker Terry Malloy (Marlon Brando) had been an up-and-coming boxer until powerful local mob boss Johnny Friendly (Lee J. Cobb) persuaded him to throw a fight. When a longshoreman is murdered before he can testify about Friendly's control of the Hoboken waterfront, Terry teams up with the dead man's sister Edie (Eva Marie Saint) and the streetwise priest Father Barry (Karl Malden) to testify himself, against the advice of Friendly's lawyer, Terry's older brother Charley (Rod Steiger).
Genre: Crime, Drama, Thriller
Production: Sony Pictures
  Won 8 Oscars. Another 21 wins & 9 nominations.
 
IMDB:
8.2
Metacritic:
88
Rotten Tomatoes:
98%
NOT RATED
Year:
1954
108 min
3,725 Views


FATHER BARRY:

(embarrassed)

I wish I knew, Edie,

But—

(starts to turn away as if appealing to the others)

EDIE:

Don't turn away! Look at it! You're in this too—

don't you see, don't you see? You're in this too, Father.

FATHER BARRY:

(defensively, sincerely)

Edie, I do what I can. I'm in the church when you need me.

EDIE:

(bitingly)

"In the church when you need me."

Was there ever a saint who hid in the Church?

She turns from him angrily, toward the covered form of Joey.

CLOSE SHOT—FATHER BARRY

Father Barry stands there jolted and troubled.

MRS. COLLINS

(moves in to him)

Forgive her, Father. Them two was as close as twins.

Father Barry nods. Thinking hard.

MRS. COLLINS

(continued)

Whoever was in on this'll burn in hell until

kingdom come... .

DISSOLVE:

INT—FRIENDLY BAR—NIGHT

The atmosphere is the sharpest possible contrast to the scene above. It

is a rough waterfront bar full of half-gassed longshoremen and pistol

boys. They are all watching a fight on TV above the bar, and there is

much hoarse laughter and ad lib jokes at the fight. The only one not

watching

is Terry, who sits at a table by himself staring at a half-finished

glass of beer. Mutt is wandering around in the B.G.

VOICE (O.S.)

Hey, Terry, Riley's makin' a bum outa that Solari—

Terry looks off and sees—

MEDIUM SHOT—BARNEY AND SPECS—AT BAR—NIGHT

Unconcernedly drinking and enjoying the fight. SPECS Come on over and

have a shot.

Still disturbed and preoccupied, Terry shakes his head and goes on

through the bar toward the

back room. Others call to him but he keeps going.

INT—BACK ROOM OF BAR—NIGHT

A partition separates this room from the main bar, and a small corner

of the bar extends through the partition. On the wall are old fight

posters and some pictures of fighters, ball players and horses. At a

table, flanked by Charley and a tall, muscular bodyguard, SONNY, is

JOHNNY FRIENDLY. He is not tough in a conventional way, but with a

sinister intent, a humorless sense of domination that is really

dangerous. The boxing match can be seen on a smaller TV set.

JOHNNY FRIENDLY:

Turn it off. Them clowns can't fight. There's nobody

tough anymore.

JOCKO, the bartender, pokes his head through the archway behind the

bar.

JOCKO:

Hey, boss, Packy wants another one on

the cuff?

JOHNNY:

(with a generous wave of his hand)

Give it to him!

As Johnny finishes off a bottle of beer, BIG MAC, the bullnecked hiring

boss, comes up to the table with a thick roll of bills.

BIG MAC:

Here's the cut from the shape-up. Eight hundred

and ninety-one men at three bucks a head makes—

Rate this script:3.7 / 3 votes

Budd Schulberg

Budd Schulberg (March 27, 1914 – August 5, 2009) was an American screenwriter, television producer, novelist and sports writer. He was known for his 1941 novel, What Makes Sammy Run?, his 1947 novel The Harder They Fall, his 1954 Academy Award-winning screenplay for On the Waterfront, and his 1957 screenplay for A Face in the Crowd. more…

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Submitted by aviv on November 01, 2016

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