National Geographic: Coming of Age with Elephants Page #3
- Year:
- 1996
- 101 Views
a complete enigma.
Sometimes elephants are
incredibly vocal.
Other times they seem to communicate
in silence-freezing
as if on command
or suddenly racing off together
with no apparent cue.
barely made a sound.
I kept hearing a sound like, you know,
if you take a thick piece of cardboard
and you go
"whop, whop, whop" with it;
and they were flapping their ears
in a certain way,
so I thought the sound was the ear
flapping and it was a threat to me.
And then I realized afterwards that,
in fact,
it was vocalization
that was being made
and the ear flapping was just
in association with it.
In the mid1980s,
Joyce collaborated with
Katherine Payne,
Together they were determined
elephant communication.
We began making take recordings of
the elephants.
It turned out that we were only
hearing part of what they said.
The rest was at a frequency
too low for us to hear.
Sonograms revealed that humans miss
two-thirds of elephant conversation
like whales, elephants were using
a language
that was mostly below the range
of human hearing.
Joyce slowly learned to decipher
She came to understand 33 different
vocalizations,
calls that meant,
"lets go," or "attack"
or baby saying,
"help, I'm scared."
with rumbles
that were as specific as saying,
"It's okay, we're here."
It was a radically new way
What people used to believe was
just stomach rumbling
was actually a complex language.
These were intelligent creatures.
Now that she knew
what the elephants were saying,
Joyce knew when to be afraid,
and when it was just play,
even when to talk back.
Anyone who's watched elephants
would say,
you know, what is it that makes
elephants so much?"
Why do you like elephants so much?"
They're so funny.
Why are they funny?
Well, they're not just funny to look at,
they're funny acting,
they're clowns; not all of them,
I mean, they've got different
personalities,
but some are real clowns.
Joyce believed that elephants
had emotions,
from joy to grief.
She was moved to witness one family
their own matriarch.
And it was very different from the way
elephants usually approach bones.
They gathered around her bones
in a defensive circle facing outwards
and gave a very loud rumble
that went on and on,
and they really were standing
over them
as if it was a member of their family.
And this whole, just turning the bones
over, ever so slowly and gently
and, you know,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"National Geographic: Coming of Age with Elephants" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/national_geographic:_coming_of_age_with_elephants_14527>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In