Nancy Goes to Rio Page #2

Synopsis: A mother and daughter compete over the same singing role and, unbeknownst to each other, the same man.
Genre: Comedy, Musical
Director(s): Robert Z. Leonard
Production: MGM
 
IMDB:
6.6
NOT RATED
Year:
1950
100 min
50 Views


Oh, I'm just encouraging fresh talent.

- Frances. Excuse me.

- Yes?

- Domingos is here. In the study.

- Oh, wonderful. Excuse me.

Certainly.

- Here she is, Ricardo.

- Mr. Domingos.

- I'm so very happy to know you.

- I'm honored.

- Won't you sit down?

- Thank you. Pardon me.

- Did you have a pleasant trip?

- Yes, thank you.

I suppose all this

seems very different from Brazil.

Oh, no.

These kinds of parties are universal.

The labels on the bottles

may be a little different...

...but the labels on the people

are the same.

- I can't wait to visit Brazil.

RICARDO:
Oh, I think you would like it.

I was telling Mr. Domingos

how much you liked his play.

Oh, I adored it.

I'm very pleased.

There are things in the second act

he'd like to explain.

- I'll just close the door.

- Fine.

Well, I tell you...

Oh, I have to find Arthur.

While I'm gone, you pick out

the biggest-looking idiot in the room.

- And go to work on him.

- Okay.

The biggest-looking idiot

in the room, huh?

The biggest-looking...

Of course, I drew the trusty steel,

pursued the villain.

He'd flown.

I returned my sword to its sheath...

...cloaked myself against the night air,

doffed my hat and took a bow.

My dear children, it was nothing, nothing.

Nothing at all.

- I'm going to Brazil for a rest.

- Oh?

I wanna take the script and learn it

among the people it's written about.

- Do you think it's a good idea?

- It's a great idea.

Yes, fine.

Now, I don't want this to get out

until we're ready to announce it.

No publicity, you understand?

Not a word to anyone yet.

Oh, all right.

And now I must see to my guests.

- See that Mr. Domingos has a drink?

- Thank you.

- I'll join you later.

- Thank you.

ARTHUR:

Well, Ricardo...

Is anything wrong?

- Well, I thought she was much younger.

- Well, she was.

- On the stage, she looks superb.

- Granted.

But the part of Emily was intended

for an 18-year-old to play.

ARTHUR:
Frances is a great actress.

- Oh, there you are.

Arthur, I hope you're nice and relaxed

because I need a skyscraper.

Oh. So you need a skyscraper?

- We haven't a thing up there in the way...

- Just a minute.

This is Miss Elliot's daughter,

Nancy Barklay.

- How do you do?

- Glad to know you.

We have to have a skyscraper

for our second act.

I don't seem to have one on me.

You wouldn't settle for a small building?

You told me you had a storeroom

full of backdrops.

Oh, that kind of skyscraper.

Well, I think we can manage it.

- How you going to get it up?

- One of the boys has a truck.

When are you coming to Connecticut?

I'm afraid that's going to be impossible.

Impossible? But, Arthur, you promised.

You said you'd direct it.

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Sidney Sheldon

Sidney Sheldon (February 11, 1917 – January 30, 2007) was an American writer and producer. He came to prominence in the 1930s, first working on Broadway plays and then in motion pictures, notably writing the successful comedy The Bachelor and the Bobby-Soxer (1947) which earned him an Academy Award. He went on to work in television, where his works spanned a 20-year period during which he created The Patty Duke Show (1963–66), I Dream of Jeannie (1965–70) and Hart to Hart (1979–84). He became most famous after he turned 50 and began writing best-selling romantic suspense novels, such as Master of the Game (1982), The Other Side of Midnight (1973) and Rage of Angels (1980). He is the seventh best selling fiction writer of all time. more…

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Submitted on August 05, 2018

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    "Nancy Goes to Rio" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/nancy_goes_to_rio_14467>.

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