My Blue Heaven Page #2

Synopsis: Radio star Kitty Moran, long married to partner Jack, finds she's pregnant, but miscarries. For a change, the couple turn their act into a series on early TV and try to adopt a baby, finally acquiring a girl in a somewhat back alley manner. Complications follow amid a series of musical numbers.
Genre: Drama, Musical
Director(s): Henry Koster
Production: 20th Century Fox Film Corporation
  1 nomination.
 
IMDB:
6.3
NOT RATED
Year:
1950
96 min
1,916 Views


Producer gets a flop

The angel doesn't worry

'Cause the flop comes off the top

Crazy world

Crazy tmes

Love that world

What's the dfference

If nothng rhymes

Hey. t's rratonal

But t's natonal

If you decde to take that rde

- And be a brde and groom

- Added room

Deductble

Includng offsprng

- Elzabeth Ann and Betty Lou

- Olver Dan. Penelope Sue

Jmmy. Johnny. Dasy. Harry

Randy. Ronny. Maze. Mary

Have all you want

- They're deductble

- They're deductble

ANNOUNCER:

The perfect beauty cream...

MAN:
Gee, Jack, that's wonderful.

JACK:
Thanks.

- Say, Jack, that's swell.

- Thank you.

WALTER:

Hey, wait a minute, you two.

- When's the party?

- What party?

You don't have kids

without a clambake.

- Dancing girls...

- Be quiet. You just need an excuse.

It's wonderful.

I'm tickled to death.

Thanks, Janet. I'm excited myself.

Welcome, brother.

I knew you could do it.

It's nothing. Like rolling off a log.

All you gotta do now is learn to knit.

- Congratulations.

- Thanks, Bill.

- Thanks. Good night.

- Wonderful. Good night.

- Well, goodbye.

- Jack...

Can't you see they have

to talk? Leave them.

Don't kid me. If what she said is on

the level, they've already been alone.

Are you really pleased?

After all the time and effort

I put into this project?

How do you think Mr. Milton's

gonna take it?

He'll be jealous, as usual.

He'll wonder

why we didn't consult him.

He'll have to know sooner or later.

Yeah, there's no way out.

Let's break it to him together.

- Hello, Mr. Milton.

JACK:
Hi, Milt.

Hello, sweetheart,

how's my boy?

- How's my boy?

- How do you think...

...we ought to break it to him?

With the birds and bees?

No, no, straight from the shoulder,

man to man.

Milt.

How would you like

a nice baby brother, all human?

- Or maybe a little sister?

- Oh, heaven forbid.

Somebody to play with

while we work?

Somebody you can teach to stand

on his hind legs, chase balls...

...chew up a few pairs of argyle socks

or a cashmere sweater or two.

KITTY:

Oh, I was afraid of that.

- Come here, baby.

- Come on, Milt.

[JACK WHISTLES]

- Mr. Milty.

- Milty.

Well, he'll just gonna

have to get used to it.

Come on, let's go eat.

I've got the strangest craving for food.

Not for something exotic

like a great big dill pickle?

Yeah, come to think of it,

something like a dill pickle.

Oh, really.

KITTY [SINGING]:

Just you and )ust me

And baby makes three

[PIANO PLAYING]

Quiet, everyone.

Quiet. Quiet, please.

Will you sit down, ladies?

- What are you gonna do?

- You'll find out. Quiet, please.

[PIANO STOPS]

Ladies and gentlemen, we have with us

tonight a man, a very modest man.

While the world blasts its head off

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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Submitted on August 05, 2018

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