Murder Ahoy Page #2

Synopsis: Miss Marple investigates the murder of one of her fellow trustees of a fund which rehabilitates young criminals. To investigate she goes aboard the ship used to train the juveniles, much to the distress of the Captain. She soon stumbles onto more murders, and a ring of thieves.
Genre: Comedy, Crime, Drama
Director(s): George Pollock
Production: Warner Home Video
 
IMDB:
7.1
UNRATED
Year:
1964
93 min
Website
290 Views


'... and so m'lord',

declared Sefton Harricott,

'Jacob Rushton

did indeed suffer a heart attack,

but it was induced by

a noxious substance in his snuff.'

- I'm beginning to...

- Wait.

'The murderer', continued

Harricott, 'made one error,

he didn't remove the incriminating

residue from the snuff box.'

A mistake our murderer

no doubt imagines he has not made.

Why should anyone

want to do such a thing?

That, Mr. Stringer, is the question.

Poor Mr. Ffolly Hardwicke

had just returned from our ship.

He had something important to say,

he never said it.

I wonder.

Yes!

That's where the motive must lie.

Mr. Stringer, there is something

going on aboard the Battledore.

Goodness!

Ah, there she is!

Magnificent!

A real bit of history.

Pity anything

so beautiful should hold the answer

to something as sordid as murder.

Here comes the long boat.

Well on time -

two minutes

to two bells on the dogwatch.

Is this wise? Shouldn't we have tried

to convince the Chief Inspector?

Policemen, Mr. Stringer -

particularly our friend,

Chief Inspector Craddock -

are only convinced by proven fact.

Once you're out there

on the water, it'll be so easy.

A marlinspike in the dark,

your body rolling in the scuppers,

a splash,

carried out on the ebb tide...

My dear Jim, calm yourself.

I'm sorry, but I must insist

on pointing out the dangers.

Are you going to help me

or are you not?

- Well, yes, of course.

- Thank you.

- Now you have your signal lamp?

- Yes, yes.

Be sure to book a room

overlooking the estuary.

- I suggest at that hotel.

- Yes.

- You understand?

- Yes.

Keep lookout

at 11 o'clock tonight.

I shall pass on to you

any evidence I've uncovered,

so that if anything

untoward does happen,

you will be empowered

to pursue the matter on your own.

That's all then I think.

I shall see you

in the morning as arranged,

unless of course I find it necessary

to contrive a longer stay on board,

but if the captain's

all the Bishop says he is,

I will not be very welcome.

Miss Marple, I forbid you to...

Damn the torpedoes.

Full speed ahead, Mr. Stringer.

Thank you, laddie.

- Can I help you with your bag, sir?

- Oh, no. No, thank you.

- May I?

- Oh, certainly, ma'am.

Push off for'ard.

Give way together, lads.

Look at it. Will you look at it!

Reefer jacket,

brass buttons, tricorn hat.

Who does she think she is?

Neptune's mother?

All right, Connington. Pipe.

- Pipe.

- Pipe.

- De Courcy Rhumstone, ma'am.

- Marple, Captain.

Welcome aboard.

May I introduce you to my officers?

- By all means.

- Commander Breeze Connington, ma'am.

- How do you do?

- Organization and accounts.

Lieutenant Commander Dimchurch.

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David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

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Submitted on August 05, 2018

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