Murder 3 Page #2

Synopsis: A hot-shot fashion and wildlife photographer Vikram gets into a relationship with Nisha. She moves in with him in his palatial house outside of the city. The old world house, made decades ago is as beautiful as it is scary. It holds many secrets which Nisha is soon to unearth; of the life of the man who made it and of Vikram, who is dealing with the mysterious disappearance of his former girlfriend Roshni.
Genre: Thriller
Director(s): Vishesh Bhatt
Production: Fox International
 
IMDB:
4.9
NOT RATED
Year:
2013
124 min
Website
342 Views


Just like you.

When did you move in?

It's been a few weeks.

Is that so?

Did you try to contact her?

Of course, I did...

but her phone is switched off.

And nobody seems to

know of her whereabouts.

Well, we did check at the airports,

railways junctions and bus depots.

But we didn't find her.

She hasn't left Mumbai.

Who?

His girlfriend.

Roshni.

He hasn't told you?

Well, he still hasn't

introduced her to us.

This is Nisha.

She is...

she is my friend.

You see, we're cops.

We don't like

incomplete information.

If you don't mind...

your complete name?

Nisha Sengupta.

Do you know her?

It's a small world, sir.

Right...

and round too!

Tell me, did Roshni leave

any stuff behind when she left?

A toothbrush in the

bathroom and...

that table where she worked.

Here?

Yes.

If you don't mind...

can we take a look

around your house and garden?

If you don't mind...

- Is it really necessary?

Why don't you leave,

what's necessary to us?

Come on, sir.

Yes.

What's going on, Vikram?

The cops think I've

buried her here.

Idiots.

But you said you are single.

I am.

Roshni left me...

probably for another guy.

Why are the cops here?

They are unable to trace her.

What?

I hope no one has kidnapped her.

Or perhaps...

Nisha!

Roshni is fine wherever she is.

Do you really know the person...

you live with?

Do you really know the person...

whom you love?

Do you really know the person...

with whom you share your life?

Hello...

Wear something nice...

we have to attend

a party tonight.

Where?

You'll know.

And..

Leave your hair open.

I like it that way.

Okay.?'-

Tell Sheena...

you won't be coming

home for a few days.

These works have

never been exhibited.

I urge you to enjoy them,

we may never get another chance.

Vikram...

welcome...

Good to see you.

This is DK, my boss.

This is Nisha.

Correct... correct...

Hi.

Hi, welcome to our

colorful world.

By the way, buddy...

I'm happy that an international

agency wants to sign you on.

Yeah, man.

Thanks.

- Very good.

Congratulations.

So when are you

leaving for the shoot?

Soon.

I'll know the exact

date in a week.

Vikram, after that you will...

Yeah, man.

Why did the lights go off?

Don't be scared.

When lightning strikes,

the electricity goes off.

And its back.

Hi... good morning.

Why are you doing this?

To make me jealous?

Please, Kabir.

It's been years

since college...

but you're still stuck there.

We were never in a relationship...

we aren't in one,

nor will we ever be.

If you are hinting at the future,

here's some advice.

Stay away from Vikram.

It's basic procedure to

look for Roshni.

But if somethings

happened to her...

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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