Mr. Skeffington Page #2

Synopsis: It's 1914 in New York City. Adult brother and sister Trippy Trellis and Fanny Trellis, whose parents are now deceased, were once wealthy, but Trippy squandered away the family fortune, about which no one knows except their cousin George Trellis and their many creditors. Fanny and Trippy still put on the façade to the outside world that they have money. The beautiful Fanny can have any man that she wants to marry, but she sets her sights on Job Skeffington, the son of Russian-Jewish immigrants. Job's wealth was self-made in finance. They met as Trippy was once employed by Job in his brokerage house. Fanny and Job, who is now aware of the Trellis' financial straits, ultimately do get married, much to the consternation of Fanny's many suitors, but most specifically to Trippy, who knows the reason why Fanny married him. Job also realizes that Fanny does not love him, but is unaware of the real reason she agreed to marry him. After their marriage, Fanny's suitors are still around with more
Genre: Drama, Romance
Director(s): Vincent Sherman
Production: MGM Home Entertainment
 
IMDB:
7.8
Rotten Tomatoes:
50%
APPROVED
Year:
1944
146 min
342 Views


and gave a dinner party...

...it might encourage Trippy

to make more killings.

Very touching.

You don't have to worry about me.

My killer's instinct is aroused.

That's wonderful. I hope it's all true.

- Why do you say that?

- You still don't look anyone...

...straight in the eye

when you speak to them.

What gives you the right

to keep picking on me?

- Find me someone worth looking in the eye.

- That's not very flattering.

All right, Trippy, darling.

We'll find someone.

Now, come on and finish dressing.

And hurry. You know you're always late.

- Evening, Mr. Middleton, Mrs. Middleton.

- Good evening.

- Good evening, Soames.

- Good evening, sir.

- Good evening, sir.

- Good evening.

I did want to see Mr. Trellis.

- I had no idea...

- Yes?

Nevertheless, I wonder if I could see him.

- Have you an appointment?

- I'm afraid not.

- Well, then, l...

- It's very important.

- Who shall I tell him is calling?

- Mr. Skeffington. Mr. Job Skeffington.

Oh, Mr. Skeffington.

I'll tell him immediately, sir.

Would you mind waiting

in the study? This way.

Thank you.

Trippy, George was just telling me that

they have a huge glass of orange juice...

...every morning in California.

Imagine.

Come in.

I beg your pardon, Miss Trellis...

...but Mr. Skeffington is here

to see Mr. Trellis.

- Who?

- Mr. Skeffington, Soames?

Yes, miss.

Darling, did you invite him?

Why didn't you tell me?

I certainly did not invite him.

He said he won't keep you a moment,

but it's very important.

Well, tell him I'm sorry,

but I can't see him tonight.

And I'll be happy to see him

in the morning.

Yes, sir.

Miss Trellis, your guests

are beginning to arrive.

Thank you.

Soames.

Ask Mr. Skeffington

if he'd wait a moment.

Yes, sir.

What was the idea of that?

Lt'd be nice if you saw your employer.

You'll get more work out of him.

If he thinks because I work for him

he can come barging in here...

But, darling, obviously

he didn't come for a free dinner.

- It must be important.

- Not so important it can't wait till morning.

You get rid of him. I won't see him.

Georgie, what do you think of that?

I think you and I had better

speak to Skeffington.

- But what will we tell him about Trippy?

- Oh, I'll try and think of some lie or other.

No, never mind. I'll think of one.

Trippy's kept me in practice.

Georgie, don't look so worried.

- Good evening.

- Hello.

Fanny, you look beautiful.

You look more like

a statesman every day.

Really, Fanny?

My cousin George just arrived,

and for some reason or other...

...we must be kind to him.

George, this is Mr. Morrison,

Mr. Thatcher and Mr. Conderley.

- How do you do?

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Julius J. Epstein

Julius J. Epstein (August 22, 1909 – December 30, 2000) was an American screenwriter, who had a long career, best remembered for his screenplay – written with his twin brother, Philip, and Howard E. Koch – of the film Casablanca (1942), for which the writers won an Academy Award. It was adapted from an unpublished play, Everybody Comes to Rick's, written by Murray Bennett and Joan Alison. more…

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Submitted on August 05, 2018

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