He looks down and sees the stain. He's at a loss.
Give it here. I'll give you this,
Al, you make good coffee.
She downs her coffee, accepts the stained tie which Al has
taken off, and slams the ledger shut.
INT. ROBERT'S DRY CLEANERS - DAY - MORE CREDITS ROLL
We are looking at a wall of dry-cleaned clothes bags. They
are hanging from an automated grid. As we watch, the wall
starts to move off to the left. A gap appears where no clothes
are hung. The gap creates visual frame. In the frame is
ROBERT. He is operating the grid with a little stick shift.
He stops it and takes down a garment. He leaves the frame,
heading off to the counter. When he moves away, WE SEE that
Loretta is behind him, working her calculator, entering in a
ledger. She slams the ledger shut, waves goodbye, and goes.
After beat she reappears, produces Conti's tie, says something
to Robert, who is out of view, leaves the tie, and
INT. BUTCHER SHOP - DAY
WE SEE a cleaver whacking an oxtail into section.
Now WE SEE Loretta, a few feet away, tabulating on a chopping
block that is partially obscured by a row of hanging rabbits,
INT. A FLORIST SHOP - DAY
A long white box is being filled with red roses. We HEAR the