Mikey and Nicky Page #2

Synopsis: Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives, Nick won't let him in: his moods swing. So begins a long night as Mike tries to take care of Nick, calm him down and get him out of town. Their sojourn - on foot and in a city bus - takes them to a bar, a club, toward a movie theater, to the cemetery where Nick's mom is buried, and to Nick's girlfriend's apartment. Tempers fray and the friendship is tested. Meanwhile, a hit man who's getting information from someone is indeed looking for Nick.
Genre: Crime, Drama
Director(s): Elaine May
Production: Criterion Collection
 
IMDB:
7.4
Rotten Tomatoes:
86%
R
Year:
1976
119 min
2,399 Views


and give me the cream.

- Fifteen coffees?

- That's right.

You give me that in 30 seconds,

you hear me? Or I'll kill you!

- Okay. Okay.

- Because I'm crazy!

- Now, give it to me!

- Yes, sir. Okay. Okay.

Give it to me!

Come near me and I'll kill you!

Nick, Mikey.

I got it.

What's the matter?

There's no one here, Nicky.

There is no one here.

Please.

What, look at this.

Would you believe? Ugh.

Murder.

All right.

Good enough, huh?

Huh?

That's good.

You're doin' good.

So, how did you know

there was a contract out on you?

Hmm?

- A guy I know told me.

- What guy?

A guy I know.

Wanted to do me a favor.

- Well, who was it?

- A friend of mine. A guy.

A friend of mine, wanted to do me

a favor. What difference does it make?

What do you mean,

what difference does it make?

Was it a doorman?

Was it Frank Costello? Who was it?

I can't tell you.

But you gotta trust me.

I know.

Take my word for it.

I'm telling you

it was someone I know.

Were you in on this deal with Lipsky?

Are you crazy?

I didn't even know Lipsky

until Resnick brought him

into the bank.

The runners knew him

better than I did.

Well, how do you know

it's even true?

I got a better one for you:

How do you know it's not true?

- How much money you got on you?

- I got $1,000.

- $1,000 right here.

- All right. I'll send you the rest.

Come on. I don't want

to call the airport from here.

- Wait a minute. Where are we going?

- I'm going to get you out of town.

- Now?

- Yeah, now.

Listen, Nick, if they're

really looking for you

and you say they are,

then they're gonna find you.

Especially in the place

you picked to hide out in.

- You're eight blocks from the office.

- You said they weren't looking for me.

- But you said you knew they were.

- You said they weren't looking for me.

Which way do you want it, Nick...

they're looking for you or they're not?

- They're looking for me.

- Then let's go.

Because two days of looking

gives them a hell of an edge.

- You got any clothes you wanna take?

- I don't feel good.

- I don't feel good at all.

- Goddamn it!

What's the matter?

Open the window, quick.

Open the window, quick! Mikey!

- What's the matter?

- Gotta get some cold air in here.

- They're not gonna find you...

- Gotta get outta here.

I can't breathe.

There's no air in this room.

Gotta get out.

I'm gonna get outta here.

Come on. Come on.

Get.

Come on. Come on!

- Come on!

- You're gonna wake up the whole place.

- Which way... stairs or elevator?

- The elevator.

Stairs. Come on!

- You're ridiculous.

- Would you go out there, first?

- Yes, I will go out first.

- Will you go out first?

Yes, I will go out first.

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Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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Submitted on August 05, 2018

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