Messages Deleted

Synopsis: A quivering voice begs to screenwriter, Joel Brandt, to pick up the phone on a message from his answering machine. Thinking it a prank, Joel deletes the message. The caller is found dead. Another caller leaves Joel a message; there is another murder...then another...then another. The killer has Joel's attention, and Joel has the attention of the police. Now the prime suspect in a series of murders, Joel discovers this psychotic killer has targeted him for a reason found within his body of work. Will Joel be able to re-write his ending, or be forced to pay the ultimate price?
 
IMDB:
5.0
NOT RATED
Year:
2010
92 min
83 Views


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And deleted MESSAGES

- Kathy!

- Patrick ...

- Patrick!

- Kathy, come on, baby!

Quick, Patrick!

I'm here!

- Quick, Patrick!

- All right!

- Please do not let me die.

- Get away from the door!

Come here!

All right!

All right!

I do not like, you must

out of here. Get the torch!

Stay with me!

Over here!

Come!

I do not want to die!

- Get out of here, Tractor!

- Not in life.

- I'll shoot and c!

- No you did not do it!

You to your you want to be left

to your accounts.

Kathy!

Baby!

Come on, baby! You're all right?

It is over.

- It is over.

- Can we go home?

Sure. For now I will come in

threatens one family.

Hold on to me, baby!

Stop-you, God!

Stop yourself, please!

I beg you, stop yourself!

Or as they say in

cinema, tiai!

Cli and I, with emphasis!

Cli and I, with emphasis!

And I equally Cli ...

a very bad movie!

Your story is about a

accounting tender

who is chased by a bad guy

named Tractor.

A and of his name? Tractor?

Who dies in act three,

stabbed with an awl,

and whose body disappears

the mysterious.

We all say! Good movies

constructed, built ...

As a great sex party!

And built up

the climax ...

and everyone go home

happy. That we want!

I like say

"climax".

- I know, Miss Councel.

- Millie.

- Same as last week.

- Yes. Millie Councel.

Expect more from you.

From all of you.

Foundation of a great script,

be found in the main character.

But the character must

and to be credible. No?

I thought that Patrick

is credible.

Is based on someone you know.

This is great!

Talk about it all the time.

But it must be, and plausible.

Ask your colleagues!

They would do?

Let's imagine the scene!

This is a guy named Tracker,

a whopper misfortune

that you killed 14 friends

including the dog.

I threatened with a gun, a 45

semiautomatic. You have shot that?

A show of hands who would

shot as the bastard! All!

But you, Mr Brandt?

You have shot that?

Certainly he has and put

glon an ass.

A clear and charger in it.

Obviously, not me.

No man of reality,

but if I live in scenario

and kill him. Talk about

a film character.

And on page 10 of the scenario,

something must happen

to give continuity stories you know.

What happens in the script,

Miss Councel, on page 10?

Tractor has a monologue

about the decline of the individual,

the social factor of the 21st century.

What? I fell asleep?

Come ... This is not are you!

This is not the girl with red hair as well,

which stands among the four,

dressed funny ...

This is not are you.

Greatness comes from here,

comes here,

and a little here ...

You know? It is a mixture

of all three.

You head a great story,

but dies on exit, because

do not know there are a story. Yes?

This is the movie

I want to see!

Soon.

Mr Brandt!

- Hi!

- You were right.

Do I put in

the character.

Thank you for utul and ass.

Part of being and the job.

If you allow me, I like

Your coat style Bogart,

but do not know where you have taken.

I am the one eternal no.

Expect to return and fashion.

It has large pockets and can

in notiele me in them.

Really?

I will try and i.

Many of my ideas go on the bottom.

It's a good way

to keep your ideas.

I'm going up to the corner to eat

pacheele some spring.

I thought can you look less

the changes that

I did the script.

As a type, I have other plans yet

and is a little early to me

involved in a relationship.

I refer to some pacheele

spring and the script.

Not intend to do

any conquest.

- Credeai that in me after you?

- Yes.

It's the dumbest thing on

I said ever.

- I'm sorry.

- Then I will make a surprise.

- What?

- The script.

- I will make a surprise.

- Okay.

It was great!

I never saw so something.

It was like in movies!

Yes, it is a CLI and I authentic.

Do not you ever sit?

See the cartoons in newspapers!

Stronger than in films.

Sh*t!

have two messages impiety.

first post.

Mr Brandt is Orin,

's assistant Allan Kent

Los Angeles,

tel. 818.555.0199,

agency of L.A. Kanter

I want to return

the scenario.

Please Call.

End message.

To delete it ...

You, sir,

you are in Hollywood.

Joel, Joel ...

The Joel Brandt?

A guy wants to kill me.

I'm threatening with a gun.

My name is Jeremy Potter.

He put me to call you.

My name is Jeremy Potter.

God,

No idea who this guy

and I have no idea who you are.

not know what's going on,

but saying that killing me.

If you hear me, help me!

Please raise your

Pick up the phone, one to kill me

End message.

Joel, Joel ...

The Joel Brandt?

A guy wants to kill me.

I'm threatening with a gun.

My name is Jeremy Potter.

He put me to call you.

My name is Jeremy Potter ...

- Hello?

- Adam, I am!

- Hey, buddy!

- What are you doing, man? It was funny.

I must admit that

You tricked me with the message.

- What message are words?

- You know you.

You left a message on the answering machine.

You called me, right?

No, I called.

- Weird ...

- What happened?

- I got a call.

- Have a drink tonight?

I can not tonight.

Tomorrow we exit to eat?

- Yes.

- All right.

- Kemo Sabe!

- See you tomorrow!

messages deleted.

Someone set the tone.

Therefore, Hollywood is going

and the idea of super heroes,

and I thought to write

something different, something opposite.

Some programmatic, maybe.

It's the first time

kill me one page.

Entirely empty.

What you say, Dad?

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Larry Cohen

Lawrence G. "Larry" Cohen (born July 15, 1941) is an American film producer, director, and screenwriter. He is best known as a B-Movie auteur of horror and science fiction films – often containing a police procedural element – during the 1970s and 1980s. He has since concentrated mainly on screenwriting including the Joel Schumacher thriller Phone Booth (2002), Cellular (2004) and Captivity (2007). In 2006 Cohen returned to the directing chair for Mick Garris' Masters of Horror TV series (2006); he directed the episode "Pick Me Up". more…

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Submitted on August 05, 2018

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