Melvin and Howard

Synopsis: This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!
Genre: Comedy, Drama
Director(s): Jonathan Demme
Production: Universal
  Won 2 Oscars. Another 15 wins & 9 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
90%
R
Year:
1980
95 min
30 Views

has a souped-up Santa sleigh #

- Enough, sir.

- You haven't heard the good part yet.

It's dramatic narration,

like Red Sovine.

"Hey up there, fat man!

What are you doing on my roof?"

"I don't care if you are Santa..."

- Please, stop.

- What's the matter?

My ear.

I told you we should

have stopped back there.

- It's the sound.

- What do you mean?

Your song.

Boy, you can be cruel.

Anybody ever tell you that?

You can be real cruel.

I have an aversion to songs.

That's what makes you an old asshole.

Sing along with me, this is the chorus.

# Got a rocket burnin'mighty quick

Turnin'souped-up Santa's Sleigh

# Comes in like a streak of light

and goes out the same way #

- You got it?

- I don't know.

Listen, man, you sing this or you walk.

OK?

"Got a rocket burnin' mighty quick,

Turnin' souped-up Santa's sleigh."

[They sing in unison]

You got it! OK, one more time.

[Both sing]

"Hey, now, fat man!

I told you to get off my roof."

"The chimney's too small,

you're gonna fall!"

"Come on down off that roof!"

This is the last verse.

"When you hear that rocket roar

You know Santa's on his way."

OK? Ready?

[Both sing]

"But he'll be back again next year

in his souped-up Santa sleigh."

Hey! That's great, man!

You know what?

- What?

- You sounded good.

- Oh, come on.

- You did.

- Didn't anybody tell you you can sing?

- No.

- Come on, let's hear one of yours.

- I don't know any songs.

Oh, come on. You must know one.

How about...

Do anything, do...

Love Me Tender, Don't Be Cruel,

My Woman, My Woman, My Wife...

I don't know any songs.

My father was the singer in the family.

I played the saxophone.

When The Sunset

Turns The Ocean Blue To Gold.

Bill Bailey.

He'd say, "Sonny, you do the verse

and I'll take the chorus."

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Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

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Submitted on August 05, 2018

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