McCullin Page #2

Synopsis: To many, Don McCullin is the greatest living war photographer, often cited as an inspiration for today's photojournalists. For the first time, McCullin speaks candidly about his three-decade career covering wars and humanitarian disasters on virtually every continent and the photographs that often defined historic moments. From 1969 to 1984, he was the Sunday Times of London's star photographer, where he covered stories from the civil war in Cyprus to the war in Vietnam, from the man-made famine in Biafra to the plight of the homeless in the London of the swinging sixties. Exploring not only McCullin's life and work, but how the ethos of journalism has changed throughout his career, the film is a commentary on the history of photojournalism told through the lens of one of its most acclaimed photographers.
Genre: Documentary
Production: British Film Company
  Nominated for 2 BAFTA Film Awards. Another 1 win.
 
IMDB:
8.2
Metacritic:
74
Rotten Tomatoes:
100%
Year:
2012
91 min
Website
66 Views


urban landscape of the lads, the gang,

The Guv'nors, as they were called in East London,

standing in a derelict house?

Perfectly framed by the building,

and seeing right through the building.

It was so emblematic of gang warfare and the roughness of London.

And here we have a picture which is almost beautiful in its composition.

You could say, there is no beauty in what this gang was up to.

But he related, he had a sensitivity.

An empathy is something you can't fake.

This is the bloke I gave a good hiding to.

HE LAUGHS:

He tried to hit me with a brick.

We had all been to a funeral.

One of the little girls had committed suicide,

put her head in a gas oven over some bloke I grew up with.

We came back from the funeral, and he ran past my car

and snapped the wing mirror off.

And he was peeing in this alleyway,

that's when I should really have laid into him, while he was peeing,

because it's difficult to fight back if you're in a situation like that.

Then he picked a brick up, came roaring at me.

Then I managed to get hold of it and reverse the charges.

Wasn't I lucky to have grown up in a period of the '60s, '70s, the '80s,

when it was all happening?

It was as if, like it was carved out for me, really.

I did grasp the nettle,

I didn't just look at it and think, "God, I wish I was there."

I used to say, "I'm going to go there." And I did.

- NEWSREEL:

- Paris in the spring of 1961,

and the time of President Kennedy's visit, was as beautiful as ever.

I was in Paris with my wife, my new wife really,

we'd only been married a few weeks.

And I was like a fish out of water really,

because I couldn't speak the language.

And whilst we were in Paris, I saw somebody reading a newspaper.

It was a photograph of an East German soldier

jumping over some barbed wire, which was only, at that stage,

separating them from the West.

Of course, the story had been building up,

potentially been building up.

I looked at this photograph, it was a memorable picture.

And I said to her, "When we get back to England,"

knowing I only had 70 in my savings account,

"would you mind if I went to Berlin?"

And she said, "Of course I don't mind."

- NEWSREEL:

- The East Germans don't seem to have girders enough

to plug every hole.

When a soldier's attention is diverted by others,

a hole is cut in the barbed wire,

and Khrushchev's face is slapped again.

I rang the Observer newspaper, and they said,

"We're not interested in you going."

And I said, "Well, I bought the ticket." There was no commission.

So, I got near to a place called Friedrichstrasse,

which was the centre of all the problem.

The Americans were facing the Russians.

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Submitted on August 05, 2018

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