Major Barbara Page #2

Synopsis: A young and idealistic woman, who has adopted the Salvation Army and whose father is an armament industrialist, will save more souls directing her father's business. A comedy with social commentary.
Genre: Comedy
Production: Criterion Collection
  1 nomination.
 
IMDB:
7.0
Rotten Tomatoes:
86%
APPROVED
Year:
1941
121 min
333 Views


I'm as poor as a church

mouse, like all scholars.

I'm no good for anything in

the way of worldly success.

But what does that matter?

We're all poor here.

We never think of money or success.

When all our money's

spent, we pray for more.

And it comes. It always comes.

Take your mind off such things.

And now...

shall we pray together?

I never pray. At least, not in your way.

The new thing that's come

to me is not that I'm saved.

I was saved when I was five years old,

when I first swallowed your religion.

Since then I've swallowed 20

religions. It's my life's work.

I'm interested in the

essence of all religions...

not in their catchwords or in yours.

Let us find it for you here. We can.

Nonsense. I have more to teach you

about religion than you can yet imagine.

You think so?

Then why have you come here with me?

Why did you hold up your hand?

Because I have impulses

that I cannot explain.

They come very seldom, but when

they come, nothing can stop me.

There's an end of my conscience,

of my prudence, of my reason.

Such an impulse seized

me the moment I saw you.

You may be poor. Our table

manners may be different.

Our relatives may not mix.

Probably everything is against our

associating with each other. No matter.

I'm going to join the Army. I will

put on a uniform and beat the drum.

In short, I am hopelessly and

forever in love with you...

and will follow you to the end

of the world until you marry me.

Is that plain?

Perfectly.

And now will you begin

by seeing me home?

I should like to put you through your

first trial by showing you where I live...

and introducing you to my family.

God has some little

surprises for you, my friend.

Have we far to go? What about a taxi?

We don't run to taxis in

this part of the world.

Most of us have never been in

one. We'll have to take a bus.

Oh, there's a 73. Jump in.

Don't ring. I have a latchkey.

By the way, I'd better know

your name before I go in.

Well, you haven't mentioned yours,

and it's I that have to introduce you.

My name's Adolphus Cusins.

Adolphus? What a name.

I shall call you Dolly.

My relatives do. I wish they didn't.

Introduce me as Professor Cusins.

Allude to me as Miss Undershaft.

Undershaft. Not

Undershaft, the cannon king?

The rival of Krupp and

Skode? The multimillionaire?

Don't worry, Dolly. I haven't

seen him since I was that high.

You'll find my mother

much more terrifying.

[Children Shouting]

[Children Laughing]

Remember the first time we

caught a bus here, Major?

Yes. And you wanted to

take me home in a taxi.

I've cured you of those

extravagant ideas, haven't I?

Yes. Takes the daughter

Rate this script:0.0 / 0 votes

George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma and Caesar and Cleopatra. Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not a republican, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. His appetite for politics and controversy remained undiminished; by the late 1920s he had largely renounced Fabian Society gradualism and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin. In the final decade of his life he made fewer public statements, but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the Order of Merit in 1946. Since Shaw's death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among British dramatists; analysts recognise his extensive influence on generations of English-language playwrights. The word "Shavian" has entered the language as encapsulating Shaw's ideas and his means of expressing them. more…

All George Bernard Shaw scripts | George Bernard Shaw Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Major Barbara" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/major_barbara_13197>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Major Barbara

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.