Madonna of the Seven Moons Page #2

Synopsis: In the early part of this century, Maddelena a teenage Italian girl, is attacked whilst walking in the woods. The attack leaves her mentally scarred and our story flashes forward to the 1940s where Maddelena is still troubled. She disappears one day and her daughter vows to find her.
Genre: Drama, Mystery
Director(s): Arthur Crabtree
Production: General Film Distributors
 
IMDB:
6.5
Year:
1945
88 min
65 Views


- My dear Charles, how nice of you.

- She didn't sleep much, Doctor.

Overexcited, I expect,

with Miss Angela coming home.

Thank you, Tessa, I'll tell him.

I was in and out of her room a dozen times.

- I don't expect much is the matter.

- That's just where you're wrong.

- When I took in her coffee...

- All right, Tessa.

- How thoughtful of you.

- Flowers, often the best medicine.

You know, I believe you are

almost as fond of her as I am.

Fonder.

Come and tell her that. It will cheer her up.

- Wait. Have you heard from Angela?

- No, not yet.

Well, indirectly, I have. From Mrs Fiske.

That scatterbrain daughter of hers

dropped off at Cannes

- and left Angela to come on alone.

- Guiseppe!

Why, my dear!

- Charles, it isn't true?

- Why not? Good job too.

Millie Fiske is the last person

I'd want in a car.

- That means Angela is alone.

- Teach her to be independent.

- All this coddling is out of date.

- Of course it is.

Take her along with you, Charles.

I'll get some cocktails.

We'll drink to the return ofthe prodigal,

shall we?

I brought you these.

- You're very kind.

- You're very silly.

Jumping at shadows.

Looking for dangers where they don't exist.

I sometimes wonder what we get from religion

if it isn't faith.

Angela is little more than a child.

My dear, in England,

girls are used to going about alone.

From what Guiseppe tells me,

your daughter is more than capable.

You don't know the things that can happen.

Amul things.

What kind ofthings?

It's a mistake to expect Angela to behave

like a girl from a convent.

This is an unconventional age.

Whether we like it or not,

it's the age we're living in.

Why are you telling me all this?

Because I hope that you and your daughter

are going to be friends.

And confidantes.

Not just to live together but to be together.

Oh, that bell. Keeps on ringing!

All right, Tessa, I'll take it.

Give the boy ten lire.

Ten lire! Just for ringing a bell?

- Here we are, news at last.

- From Angela?

Mm-hm. "Stopped night at Florence.

Arriving about six with Evelyn. "

- Evelyn?

- She's a new one on me.

You've no need to worry now.

She's found another girl to come with.

- What time was it handed in?

- 11.45.

- I could've walked in the time!

- Six o'clock. She ought to be here soon.

By Jove, Charles, you're right.

I think I'll put these flowers in her room.

This merits a long procession of quick ones.

Happy days.

Angela!

- Daddy!

- Angela, my dear.

Now go and kiss your mother.

It isn't possible. Nobody could be so lovely.

- Mummy, darling!

- I wouldn't have known you.

Oh, I adore the new house,

what I've seen of it.

Grand to be home. Did you hear

Rate this script:0.0 / 0 votes

Roland Pertwee

Roland Pertwee (17 May 1885 – 26 April 1963) was an English playwright, film and television screenwriter, director and actor. He was the father of Doctor Who actor Jon Pertwee and fellow playwright and screenwriter Michael Pertwee. He was also the second cousin of actor Bill Pertwee and grandfather of actors Sean Pertwee and Dariel Pertwee. From the 1910s to 1950s, he worked as a writer on many British films, providing either the basic story or full screenplay. He was one of numerous writers working on the script of A Yank at Oxford starring Robert Taylor and Vivien Leigh, the film in which his son Jon made his screen debut, and on Caravan.While he seemingly preferred writing, he acted in ten films (1915–45) and directed Breach of Promise (1942), which he also wrote. more…

All Roland Pertwee scripts | Roland Pertwee Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Madonna of the Seven Moons" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/madonna_of_the_seven_moons_13144>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Madonna of the Seven Moons

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.