Line of Duty Page #2

Season #2 Episode #1
Synopsis: After a mistaken shooting during a counter-terrorist operation, Detective Sergeant Steve Arnott is transferred to AC-12, a police anti-corruption unit. Alongside Detective Constable Kate Fleming ,they are assigned to lead an investigation into the alleged corruption by a popular and successful officer, Detective Chief Inspector Tony Gates. While Gates cleverly manipulates his unit's figures, DS Arnott questions whether Gates is being made a scapegoat for a culture of institutionalized spin, or is guilty of darker corruption.
Genre: Crime, Drama, Mystery
  5 wins & 23 nominations.
 
IMDB:
8.5
NOT RATED
Year:
2012
60 min
1,272 Views


LINDSAY:

Start her up, follow me when

loaded, leave the car radio on

Channel 1 but personal radios backto-

back on 2.

BUTLER:

Who’s in the house?

LINDSAY:

I don’t know. Now move. Please.

They go to the unmarked car on the drive.

Lindsay runs to her car and starts the engine. She picks up

her personal radio and dials it to Channel 2.

At the same time, Butler starts the engine of the car on the

drive. A second later Akers hurries out of the house, not

even shutting the front door behind, accompanied by a figure

with a blanket over his head.

Lindsay watches, shocked and daunted.

Akers pushes the blanketed figure onto the back seat and gets

in beside him.

(CONTINUED)

Line of Duty #2.1 cherry revisions 25.6.13 8.

112 CONTINUED:
(2)

AKERS:

Go, go!

Lindsay accelerates out of the cul-de-sac. The other car

follows quickly.

CUT TO:

113 INT. LINDSAY’S VEHICLE. MOMENTS LATER.

The vehicle winds along back roads. A sat-nav system sits on

the dashboard.

In the mirrors, Lindsay glances at Akers’ vehicle following

behind.

She keeps going fast, peering ahead at a deserted, unlit

country road.

CUT TO:

114 EXT. CROWN AVENUE JUNCTION. MOMENTS LATER.

Lindsay’s car and Akers’ approach a junction; the road goes

straight ahead or there’s a sharp left turn. Lindsay

indicates to turn left.

CUT TO:

115 INT. AKERS’ VEHICLE. CONTINUOUS.

Akers sits in the back with the blanketed figure. Wallis and

Butler, in the front, see Lindsay indicate.

BUTLER:

What’s she playing at?

Wallis keys his personal radio.

WALLIS:

(Into personal radio.)

Wallis to Denton -- straight on

here, ma’am.

CUT TO:

116 INT. LINDSAY’S VEHICLE. CONTINUOUS.

Lindsay answers.

(CONTINUED)

Line of Duty #2.1 cherry revisions 25.6.13 9.

116 CONTINUED:

LINDSAY:

(Into personal radio.)

I know the way to my own station.

CUT TO:

117 INT. AKERS’ VEHICLE. CONTINUOUS.

Wallis and Butler exchange puzzled looks.

WALLIS:

(Beat. Into personal

radio.)

Received.

Ahead, Lindsay takes the left turn. They follow.

CUT TO:

118 INT. LINDSAY’S VEHICLE. CONTINUOUS.

Lindsay looks in her rear-view mirror. She sees Akers’ car

follow her round the corner.

Suddenly bright lights glare through her windscreen. She’s

dazzled by headlights on full beam approaching rapidly.

CUT TO:

119 EXT. LONG LANE. CONTINUOUS.

A vehicle with a daunting front-grill modification speeds

towards them in the opposite direction.

CUT TO:

120 INT./EXT. LINDSAY’S VEHICLE/LONG LANE. CONTINUOUS.

Lights glaring through the windscreen, the ambush vehicle

speeds towards a head-on collision.

Rate this script:5.0 / 1 vote

Jed Mercurio

Jed Mercurio (born 1966) is a British television writer, producer, director and novelist. He is reported to be one of the few British script-writers to work as a U.S.-style showrunner. A former hospital physician and RAF officer, Mercurio has been ranked among UK television's leading writers by TV-industry magazine Broadcast. more…

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