Liliom Page #3

Synopsis: Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a young, innocent maid. The maid, Julie, loses her job after going out with Liliom; he's fired by his jealous employer for going out with Julie. The two lovers move in with Julie's aunt; unemployment emasculates him and a local weasel tempts him with crime. Julie, now wan, is true to Liliom even in his bad temper. Meanwhile, a stolid widower, a carpenter, wants to marry Julie. Is there any future on this earth for Julie and Liliom, whose love is passionate rather than ideal?
Genre: Drama, Fantasy
Director(s): Fritz Lang
Production: Europa Films
 
IMDB:
7.0
Rotten Tomatoes:
100%
UNRATED
Year:
1934
118 min
190 Views


Except for Mrs. Leclerc,

who spent three weeks in the hospital.

Three...

There you have it.

Come on, kids.

I'm tired of playing the clown

at the Hippo-Palace.

Get out of here! I never want

to see you again, you dirty hooligan!

Out of commission!

Poor Mr. Liliom!

Don't feel sorry for me.

You too, or I'll smack you!

I'm not.

What will you do now, Mr. Liliom?

- Go for a drink.

- With us, Mr. Liliom?

I can't refuse, if you're paying.

Or you.

Are you rich?

- I've got eight...

- Eight francs?

Eight sous.

How about you?

No money? Don't worry about it.

I'll get my things

and then I'll buy us a drink.

Wait for me in front of the fakir,

next to the doughnut stand.

No, make that near the bridge...

at the fourth park bench

on the avenue.

- Are you upset?

- Are you?

A little.

Me too.

She fired him on our account.

It's him!

You're both still here?

You told us to wait for you.

I only invited one of you.

The other one can take a walk.

So...

which one will it be?

I'm waiting.

Mr. Liliom...

if she gets in after midnight,

her employers will fire her.

Fire her? I was fired too.

Yes.

Good night, then.

So...

we're in the same boat tonight.

Both of us, fired.

Let's not talk about that anymore.

You want to go for a drink?

Want to go dancing?

So, where do you want to go?

Do you have a sweetheart?

Don't lie.

I'm not lying.

I'd tell you if I did.

I've never had one.

Come on, you stayed

because you know the tune.

What tune?

This can't be!

Don't tell me you don't know

why you're sitting here in the dark...

close to me.

What's your name?

Your first name.

Julie.

Police.

Here are two more!

Your papers.

- Oh, it's you.

- Military papers, as usual.

They had to add an extra page

for previous offenses.

Ask the sergeant for a character

reference. He knows me.

This is Liliom, Inspector.

A carnival barker,

hauled in several times...

for assault and battery

and drunkenness in public.

Is that your girlfriend?

No.

- Your name?

- Julie Boulard.

- Chambermaid?

- Show us your hands.

No, all-purpose maid.

Why aren't you

at your employer's home...

instead of roaming around

at this hour with this character?

It's my day off.

He'll take your savings and then,

"So long, see you!"

I don't have any money.

You're barking up the wrong tree

with this one, Liliom.

You've got me mixed up

with someone else, Sergeant.

Julie Boulard, I must warn you...

against this dangerous

seducer of maids.

He'll promise to marry you,

then he'll make off with your money.

But have no fear.

Come with us.

One of our men will escort you

to your employer's house.

Is that an order?

Just some friendly advice.

Thank you, sir.

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Ferenc Molnár

Ferenc Molnár (born Ferenc Neumann, 12 January 1878 – 1 April 1952, anglicized as Franz Molnar) was a Hungarian-born author, stage-director, dramatist, and poet, widely regarded as Hungary’s most celebrated and controversial playwrights. His primary aim through his writing was to entertain by transforming his personal experiences into literary works of art. He was never connected to any one literary movement but he did utilize the precepts of Naturalism, Neo-Romanticism, Expressionism, and the Freudian psychoanalytical concepts, but only as long as they suited his desires. “By fusing the realistic narrative and stage tradition of Hungary with Western influences into a cosmopolitan amalgam, Molnár emerged as a versatile artist whose style was uniquely his own.” As a novelist, Molnár may best be remembered for The Paul Street Boys, the story of two rival gangs of youths in Budapest. It has been translated into fourteen languages and adapted for the stage and film. It has been considered a masterpiece by many. It was, however, as a playwright that he made his greatest contribution and how he is best known internationally. "In his graceful, whimsical, sophisticated drawing-room comedies, he provided a felicitous synthesis of Naturalism and fantasy, Realism and Romanticism, cynicism and sentimentality, the profane and the sublime." Out of his many plays, The Devil, Liliom, The Swan, The Guardsman and The Play's the Thing endure as classics. He was influenced by the likes of Oscar Wilde, George Bernard Shaw, and Gerhart Hauptmann. He immigrated to the United States to escape persecution of Hungarian Jews during World War II and later adopted American citizenship. Molnár’s plays continue to be relevant and are performed all over the world. His national and international fame has inspired many Hungarian playwrights to include Elemér Boross, László Fodor, Lajos Biró, László Bús-Fekete, Ernö Vajda, Attila Orbók, and Imre Földes, among others. more…

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Submitted on August 05, 2018

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