Lili Page #2

Synopsis: Members of a circus troupe "adopt" Lili Daurier when she finds herself stranded in a strange town. The magician who first comes to her rescue already has romantic entanglements and thinks of her as a little girl. Who can she turn to but the puppets, singing to them her troubles, forgetting that there are puppeteers. A crowd gathers around Lili as she sings. The circus has a new act. She now has a job. Will she get her heart's desire?
Director(s): Charles Walters
Production: MGM Home Entertainment
  Won 1 Oscar. Another 6 wins & 8 nominations.
 
IMDB:
7.5
Rotten Tomatoes:
100%
PASSED
Year:
1953
81 min
282 Views


He's an angry man,

and he always keeps to himself.

[ Scream ]

What's the matter?

- I saw the man die!

The man is dead!

No.

They are acrobats

rehearsing for the carnival.

It's nothing. Look.

There.

Oh.

- See? Come along, now.

I'll show you.

You hold this, will you?

Come on.

Come on.

[ Hammering ]

[ Music plays ]

[ Marc whistling

to the music ]

[ Marc continues whistling ]

[ Dog barks ]

My chateau.

[ Closes door ]

Blow.

[ Lili gasps ]

Now, what can we do

about you? Hmm?

What would you like most?

A glass of wine?

Something to eat?

I...I would like most

to stay with you.

I...I can cook.

I...I could clean the house..

wash the dishes.

Please.

Kiss me.

[ Lily kisses him ]

You've never kissed a man before!

Yes, many.

That's a lie.

Yes.

How old are you, Lili?

A girl of 16 should

have a little sense.

Following people

in the streets.

How did you get here?

Well, I... I used to live in

Manasse with my father, you see?

But then a month ago my father died,

so I came here to work with M. Godet,

the baker, you know?

But monsieur Godet

the baker was dead.

So I couldn't work with him

in his bakery.

That's all.

You haven't had too good

a time with life, have you?

Oh, things were nice

when I lived with my father.

He...he would make me laugh.

He'd tell me jokes.

Shall I tell you a joke?

Yes.

When is a singer not a singer?

When?

When he's a little hoarse.

Good, eh?

Yeah.

He was a watchmaker,

my father. You know that?

He could fix any watch.

Oh, shall I show you

my father's own watch?

He let me keep it

when everything was sold.

Keeps a very good time.

Only sometimes I forget to wind it.

It's gold-plated.

Yes.

Yes, it's very nice.

Now, uh, look, Lili...

Maybe I could get you

a job in the carnival.

Well, what kind of job?

Well, uh...can you dance?

No.

Uh...sing?

Well, I...I can carry a tune, but...

What can you do?

I kept house for my father, you see.

I have an assistant

who keeps house for me.

Now, I want you to get yourself

something to eat,

and I'll go and see what I can do

for you with Mr. Corvier.

Oh!

-Don't do that.

You mustn't throw yourself at men

that way. It isn't nice.

Well, it's nice. I mean, it's nice,

but you shouldn't do it.

I'll be back.

Whew.

[ Hammering sound ]

Have you seen old Corvier?

-They're setting up.

What are you going

to do about that girl?

She's very young.

She'll get older.

Before her time.

The female soul is like a chestnut.

It must go through fire

before it becomes delicious.

Very clever.

How's Rosalie?

I could learn to dislike him.

I already have.

She needs the job.

I could use another waitress.

Fine.

Good figure?

Rate this script:5.0 / 1 vote

Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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    "Lili" Scripts.com. STANDS4 LLC, 2024. Web. 23 Apr. 2024. <https://www.scripts.com/script/lili_12594>.

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