Life as a House Page #4

Synopsis: George Monroe is a lonely and sad man. Divorced for ten years, he lives alone on the Southern California coast with his pet dog in the same run down shack he has lived in for twenty-five years, the shack which his father passed down to him. In the intervening years, ostentatious houses have sprung up around him. He's been at the same architectural firm for twenty years in a job he hates, which primarily consists of building scale models. On the day that he is fired from his job, he is diagnosed with an advanced case of terminal cancer, which he chooses not to disclose to his family. In many ways, this day is the happiest of his recent life in that he decides to spend what little time he has left doing what he really wants to do, namely build a house he can call his own to replace the shack. He also wants his rebellious sixteen year old son, Sam Monroe, to live with him for the summer, hopefully not only to help in the house construction, but for the two to reconnect as a family. Gettin
Genre: Drama
Director(s): Irwin Winkler
Production: New Line Cinema
  Nominated for 1 Golden Globe. Another 2 wins & 8 nominations.
 
IMDB:
7.5
Metacritic:
45
Rotten Tomatoes:
47%
R
Year:
2001
125 min
$15,412,701
Website
875 Views


EXT. LAGUNA BEACH HIGH SCHOOL - MORNING

Sam is alone at the back of the parking lot, sitting on the

hood of an old Saab, smoking as two boys, JOSH and MAREK,

both seventeen, park a Porsche and pull Alyssa Beck (George's

peeping neighbor) and another girl out of the backseat.

MAREK:

Dude, nice look.

Sam simply nods as Marek and the other girl laugh at his all

black garb, earrings and eye shadow.

ALYSSA:

I saw your dad this morning.

Sam drops his cigarette and stomps it out as he stands; his

face lightens as Alyssa waves before walking away.

JOSH:

Been thinking?

SAM:

No.

MAREK:

Forget him!

JOSH:

Two hours a week for three-hundred cash.

The whole summer. Do the math.

(as a dig)

They consider that a hatchback or a

station wagon? Oh, that isn't yours

anyway, is it?

Josh raises his eyebrows and smiles before walking away. Sam

faces the Saab and kicks the bumper as hard as he can.

Suddenly, a boy (COREY) bolts up from the back seat.

COREY:

I was in total REM, man!

INT. DOWNTOWN LOS ANGELES HIGHRISE - LATE MORNING

The architectural firm of Benson and Feinsilber occupies the

entire fortieth floor; George Nelson is their sole model

maker. Rather than offices, most of the space is open,

segmented only by portable low walls. Along the outer walls,

below the long line of windows, is a shelf filled with

amazingly intricate models. George is alone in a cubicle of

his own, cutting polystyrene with a hot wire. STEVEN GARDNER

rounds a corner with a velocity that makes George flinch.

STEVEN:

Done...close to done?

GEORGE:

I'm doing the grass.

STEVEN:

F*** the grass. Who said grass?

Steven exits as quickly as he entered, but as soon as George

goes back to work, Steven pops his head back in.

Rate this script:3.0 / 2 votes

Mark Andrus

Mark Andrus, born December 13, 1955 in Los Angeles, is an American screenwriter. more…

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Submitted by aviv on November 03, 2016

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