Kid Galahad Page #4

Synopsis: When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to where he was from. He hopes to be a mechanic but soon after his arrival finds himself working as a sparring partner at a boxing camp. Having lost all of his money in a crap game, Walter is happy to take any kind of work but a devastating right hook sends him down a different path. Willy Grogan thinks he has a winner in Walter who, after helping a lady out, is dubbed Kid Galahad. Willy is a likable man but gambles too much and may have been a witness to a mobster's conversation that would best be forgotten. As Walter gains more success, and falls in love with Willy's sister Rose, Willy Grogan finds himself coming under pressure from mobsters to make Walter takes a dive at his next big fight.
Genre: Drama, Musical, Sport
Director(s): Phil Karlson
Production: MGM Home Entertainment
 
IMDB:
6.1
APPROVED
Year:
1962
95 min
176 Views


but without the lecture.

I wouldn't want to keep you

from your customers.

Okay, thank you.

Time.

Joie, please, take your time in there.

Hey, Walter, in case you want to duck

once in a while...

it ain't against the rules.

- This sort of thing is legal?

- You don't need a license to be stupid.

I'll lay you 3-to-1,

the kid don't last the round.

What happened? Did Joie trip?

Joie, please.

We can't afford to get knocked

out by this zombie.

Joie! Joie, can't you hear me?

I didn't mean to knock him out.

Getting a little uncomfortable in here,

you know.

Do I still get my $5?

About the $5...

Make sure this pigeon don't get away.

- You guys ready to go?

- Sure.

Hey, Joie. Come on.

How are we supposed to sing without you?

What did you hit me with? A bomb?

- Just one of those things.

- Come on, Joie. Let's go.

I think they want you over there.

Come on, why don't you come

and sing with us? Come on.

And you can sing, too?

Come on, let's get a cup of coffee.

These guys are going steady now.

You know, that Walter's a very nice kid.

Never mind how nice he is.

I hear enough of that from Dolly.

I told her the only important thing

about him is...

he's got an ax in his right hand,

and a bowling ball for a head.

How come the punches don't bother him?

Just one of those things, Willy.

He's the kind of guy you hit on the chin

and nothing disconnects.

- Marciano had it, remember?

- Yeah.

You know, he don't even blink

when he's belted.

- Like there was no fuse up there to blow.

- That's what I was thinking.

There ought to be a dollar to be made

with that kind of a knot head.

I'm keeping him around.

I've learned enough about human nature

to know the world's full of jerks...

and they'll love this guy on TV.

Come on, Willy, what's the matter with you?

All he's ever had

was a few lousy fights in the army.

He can't even hold up his hands.

- He can learn, can't he?

- Oh, yeah, "He can learn, can't he?"

Like a calf learns not to walk

on the tracks after it's been hit by a train.

Let's not worry about him, huh, Lew?

Another beer?

Dolly said she was putting a fresh pot

of coffee on.

Okay.

Hey, what'd Dolly say when she heard...

the finance company put the clamp

on your convertible?

She didn't waste much time with that.

She was more teed-off over Otto's

bird-dogs moving in.

- That'll be another dime, Howie, dear.

- Here you go, fatso.

- Howie, where's your fighter?

- He went in the kitchen with Golden Boy.

Oh, it's Ralphie.

I'm sorry. It wouldn't have happened...

but he don't know how to behave himself

with a lady.

- Thanks, Galahad.

- What?

Look. There's one thing

I want to make perfectly plain.

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William Fay

William George "Willie" Fay (12 November 1872 – 27 October 1947) was an actor and theatre producer who was one of the co-founders of the Abbey Theatre.Fay was born in Dublin, where he attended Belvedere College. He worked for a time in the 1890s with a touring theatre company in Ireland, Scotland, and Wales. When he returned to Dublin, he worked with his brother Frank, staging productions in halls around the city. Finally, they formed W. G. Fay's Irish National Dramatic Company, focused on the development of Irish acting talent. The brothers participated in founding the Abbey Theatre and were largely responsible for evolving the Abbey style of acting. After a falling-out with the Abbey directors in 1908, the brothers emigrated to the United States to work in theatre there.He moved to London in 1914, working as an actor on stage and in films. One of his most notable film roles was as Father Tom in Carol Reed's Belfast-set Odd Man Out (1947), whose cast was dense with actors from the Abbey Theatre. His memoir, The Fays of the Abbey Theatre, appeared in 1935. Willie Fay died in London in 1947, aged 74. more…

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Submitted on August 05, 2018

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