Johnny Mnemonic Page #3

Synopsis: In 2021, the whole world is connected by the gigantic Internet, and almost a half of the population is suffering from the Nerve Attenuation Syndrome (NAS).Johnny with an inplanted memory chip in his brain was ordered to transport the over loaded information from Beijing to Newark. While Pharmakom Industries supported by yakuza tries to capture him to get the informaiton back, the Low-tech group led by J-Bone tries to break the missing code to download the cure of NAS which Johnny carries.
Genre: Action, Crime, Sci-Fi
Director(s): Robert Longo
Production: Sony Pictures Home Entertainment
  2 wins & 3 nominations.
 
IMDB:
5.6
Rotten Tomatoes:
13%
R
Year:
1995
96 min
2,030 Views


My gear.

In here.

Back door.

Thanks, J-Bone.

We'll find you again!

Count on it!

Down!

You LoTeks will regret this.

I have to get on-line.|Must be some way to square this.

Fifty thou', you said.

Time I see the color.

Right. You were terrific.

So if you'll point the way out|and give me an account number--

Account number?

I'm on you till you pay.

How come they want|to cut off your head?

Usually they just|off people around here.

Long story.

I'm gonna be around|until I get paid, so--

I can carry nearly 80 gigs of data|in my head.

But somebody stuck in more,|and I don't know how to get it out.

Wait. You're a smuggler?|In your head?

What's wrong?

Come here. Sit down.

Oh, man, you are f***ed up severe.

Stay quiet, boy. Okay?

Papa!

Takahashi. How sad.

The loss of a child.

They know that your purpose|in life has been lost.

It died with your daughter.

You have become a risk to them.

Take a good look|at their errand boy.

The one who wants|the courier's head.

He's plotting to destroy you.

You must neutralize him,|Takahashi.

I promise you...

the courier,|what he carries...

can give you new purpose in life.

I was PharmaKom,|and l--

They're listening.

They're everywhere.

It's just my stuff.

Mace, throwing spikes, grenade.

Everything a girl needs.

You let me sleep?

You needed it.

I'm in a hurry.

I'm dead it I don't get this|out of my head.

Hey. Do you ever sneak a look|at what you carry?

Usually there's a code,|like a lock.

Well, when there isn't?

No. It goes with the territory.

Safer for me|and the client.

How come you knew those, uh--

Oh, call them LoTeks.

I sort of hung with them|when I was a kid.

How do you fit all that sh*t|in your head anyway?

Must have been pretty good|at memorizing, huh?

Implant. Wet-wired.

I had to dump a chunk|of long-term memory.

You had to dump what?

My childhood.

Your childhood?

Really?

All of it?|You can't remember a thing?

Maybe there's some residual traces.

Every now and then there's something,|but I can never hold onto it.

That's a seriously|weird-ass thing to do.

Maybe I didn't lose anything|I wanted to keep.

I needed the space for the job.

You got parents and stuff?

You got parents and stuff?

Yeah. Once.

But I haven't seen them in years.

Anyway, I don't think|about it much, okay?

What do you think about?

When you're alone?

I think I want to get out|of this rat hole.

I want to get on-line.|I need a computer!

Where'd you learn to do that?

I used to have a summer job|breaking and entering.

I need a Sino-Logic 16...

Sogo-7 data-gloves,|a GPL stealth module...

one Burdine intelligent translator|and Thompson eye phones.

Password, enter.

Welcome to BRT on-line.

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William Gibson

William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson notably coined the term "cyberspace" in his short story "Burning Chrome" (1982) and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works have been credited with "renovating" science fiction literature. After expanding on Neuromancer with two more novels to complete the dystopic Sprawl trilogy, Gibson collaborated with Bruce Sterling on the alternate history novel The Difference Engine (1990), which became an important work of the science fiction subgenre steampunk. In the 1990s, Gibson composed the Bridge trilogy of novels, which explored the sociological developments of near-future urban environments, postindustrial society, and late capitalism. Following the turn of the century and the events of 9/11, Gibson emerged with a string of increasingly realist novels—Pattern Recognition (2003), Spook Country (2007), and Zero History (2010)—set in a roughly contemporary world. These works saw his name reach mainstream bestseller lists for the first time. His more recent novel, The Peripheral (2014), returned to a more overt engagement with technology and recognizable science fiction concerns. In 1999, The Guardian described Gibson as "probably the most important novelist of the past two decades," while the Sydney Morning Herald called him the "noir prophet" of cyberpunk. Throughout his career, Gibson has written more than 20 short stories and 10 critically acclaimed novels (one in collaboration), contributed articles to several major publications, and collaborated extensively with performance artists, filmmakers, and musicians. His work has been cited as an influence across a variety of disciplines spanning academia, design, film, literature, music, cyberculture, and technology. more…

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