Jamaica Inn Page #4
Season #1 Episode #3- Year:
- 2014
- 177 min
- 533 Views
More of the fight is now spilling outside, LEGASSIK now also
involved, and the DRIVER emerges with his ale to watch.
MARY’s nerves are jangled, so she turns to the DRIVER-
MARY:
Will you take me to Jamaica Inn
then or shall I have to walk?
The DRIVER looks at her. LEGASSIK breaks from the fight and
suddenly pulls his pistol on the CROWD
.
JAMAICA INN EPISODE 1 SHOOTING SCRIPT 23.9.13
LEGASSIK:
Which one of you took my scuddlin’
horse?!
But JEM is long gone. The DRIVER looks at MARY with a sigh.
14 EXT. COACH, BODMIN MOOR, CORNWALL - NIGHT 1 14
The coach thunders on and MARY, alone inside, gazes out of
the window into the interminable rain and blackness that
marks the beginning of the moors.
The shabby roof is leaking and rainwater finally douses the
sickly glow of the torch, making her jump, but still nothing
can be seen beyond; no trees, no cottages, just darkness
stretching on forever in the violence of the rain.
As we hold on MARY, the sound bleeds out and the movement of
-it lists from side to side as though it were a ship at sea…
The moment goes on forever.
A shout from the DRIVER blows past her on the wind and MARY
lifts the sash and looks out. She’s met with a blast of wind
and rain that blind her for a second, and then she sees that
the coach is topping the breast of a hill, rough moorland
inky-black in the mist and rain on either side.
The horses pull to a stand-still and the coach stops. MARY
scrambles to get out, the DRIVER huddling from the filthy
rain as he dumps her trunk down, points and calls-
CORNISH DRIVER:
E’s over there, see?
Only now does MARY make out a dark shape with tall chimneys
hulking against the sky, utterly isolated and lashed by
howling wind and rain, with no lights shining within.
On MARY’s frightened face; she can’t believe that’s it.
But the DRIVER’s picked up the reins, whipped the horses and
is swallowed by the darkness. MARY glances after him as if
doubting her decision.
ANGLE out on the moors, looking back at MARY as she drags her
trunk towards the inn; something out there is watching her…
15 EXT. COURTYARD, JAMAICA INN - NIGHT 15
The yard is full of junk and broken glass, but MARY pays no
heed as she drags her trunk under the wooden inn sign that
creaks and groans above her, and into the courtyard.
.
JAMAICA INN EP1 FIRST REVISION SET PINK 25.9.13
9
Glancing towards the porch, she jumps to see a figure has
come outside, a lantern extended in his hand and for a second
it’s too bright after the darkness and she can't see.
But his face moves forward and is illuminated, puzzled but
intrigued to see a pretty young woman. *
MARY draws in breath, her courage failing her for a second. *
MARY:
Are you Joshua Merlyn?
Her POV as he stares at her; a tall, once handsome man, 40s,
who still has intense and brooding charisma despite his
brutishness.
And we share JOSS’s POV back at her: a young and pretty girl,
innocence, but courage, lost in the middle of nowhere in a
too-big coat.
They are dark negatives of each other. MARY is afraid of him.
MARY (CONT’D)
I'm…is my aunt here? Aunt Patience?
I'm her niece, Mary Yellan.
He stares for a further long, beat enjoying his moment of
control, having her to himself and toying with her.
JOSS:
PATIENCE? Bunch of petticoats to
see you.
*
MARY is unnerved by the sudden change in him.
16 INT. FRONT BAR, JAMAICA INN - NIGHT 1 16
MARY follows, treading the worn flagstones to enter a filthy,
run-down bar, a private male world of booze and neglect. *
The place is empty, and as JOSS shuts the big, heavy door and
draws the bolt, MARY step back, suddenly afraid but also
fascinated by him, unable to take her eyes off him.
*
*
*
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