Inner Worlds Outer Worlds Page #2

Synopsis: There is one vibratory field that connects all things. It has been called Akasha, Logos, the primordial OM, the music of the spheres, the Higgs field, dark energy, and a thousand other names throughout history. The vibratory field is at the root of all true spiritual experience and scientific investigation. It is the same field of energy that saints, Buddhas, yogis, mystics, priests, shamans and seers, have observed by looking within themselves. Many of history's monumental thinkers, such a Pythagoras, Kepler, Leonardo DaVinci, Tesla, and Einstein, have come to the threshold of this great mystery. It is the common link between all religions, all sciences, and the link between our inner worlds and our outer worlds.
Director(s): Daniel Schmidt
  2 wins.
 
IMDB:
8.7
NOT RATED
Year:
2012
122 min
3,763 Views


timeless, dimensionless.

Our own creativity and capacity for pattern

recognition

is the link between the microcosm and macrocosm.

The timeless world of waves and the solid

world of things.

Observation is an act of creation through

limitations

inherent in thinking.

We are creating the illusion of solidity,

of things by labeling, by naming.

The philosopher Kierkegaard said,

"If you name me, you negate me."

By giving me a name, a label, you negate all

the other things I could possibly be.

You lock the particle into being a thing

by pinning it down, naming it,

but at the same time you are creating it,

defining it to exist.

Creativity is our highest nature.

With the creation of things comes time,

which is what creates the illusion of solidity.

Einstein was the first scientist to realize

that what we think of as empty space is not

nothing,

it has properties,

and intrinsic to the nature of space

is nearly unfathomable amounts of energy.

The renowned physicist Richard Feynman once

said,

"there is enough energy in a single cubic

meter

of space to boil all the oceans in the world."

Advanced meditators know that in the stillness

lies

the greatest power.

The Buddha had yet another term for the primary

substance;

what he termed kalapas, which are like tiny

particles

or wavelets that are arising and passing away

trillions

of times per second. Reality is, in this sense,

like a series of frames in a holographic film

camera

moving quickly as to create the illusion of

continuity.

When consciousness becomes perfectly still,

the illusion is understood

because it is consciousness itself that drives

the illusion.

In the ancient traditions of the East,

it has been understood for thousands of years

that all is vibration.

"Nada Brahma" - the universe is sound.

The word "nada" means sound or vibration

and "Brahma" is the name for God.

Brahma, simultaneously IS the universe and

IS the creator.

The artist and the art are inseparable.

In the Upanishads,

one of the oldest humans records in ancient

India,

it is said "Brahma the creator, sitting on

a lotus,

opens his eyes and a world comes into being.

Brahma closes his eyes,

and a world goes out of being."

Ancient mystics, yogis and seers

have maintained that there is a field

at the root level of consciousness.

The Akashic field or the Akashic records

where all information, all experience past,

present and future, exists now and always.

It is this field or matrix

from which all things arise.

From sub-atomic particles, to galaxies,

stars, planets and all life.

You never see anything in its totality

Rate this script:4.9 / 7 votes

Daniel Schmidt

Daniel Schmidt is a director and writer, known for A History of Mutual Respect (2010), Palácios de Pena (2011) and The Unity of All Things (2013). more…

All Daniel Schmidt scripts | Daniel Schmidt Scripts

2 fans

Submitted by acronimous on January 25, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Inner Worlds Outer Worlds" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/inner_worlds_outer_worlds_1356>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Inner Worlds Outer Worlds

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.