I'm Not There. Page #2

Synopsis: Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified.
Director(s): Todd Haynes
Production: The Weinstein Co.
  Nominated for 1 Oscar. Another 27 wins & 45 nominations.
 
IMDB:
7.0
Metacritic:
73
Rotten Tomatoes:
77%
R
Year:
2007
135 min
$4,000,000
Website
1,126 Views


you found your freedom

before you found your technique.

Now, real American music

come from the bottom up.

You take Blind Willie McTell.

He's the best blues singer

east of Cannery Row.

He say, "Son, if you can

sing these songs

and understand them,

ain't no place you can't go.

Ah, thank you very much, ma'am.

You're welcome.

I reckon I come out the womb

singing and picking

and playing and all that mess.

So where your people at?

Your kinfolk?

Oh, they back in Stockton, ma'am.

California.

That's where I was raised.

I figured they got plenty

of mouths to feed as it is.

Not that I care a fig about material things,

you know, except for

maybe a decent car.

See, us thumb-slummers

and box-jumpers,

we get a little peckish

when it comes to cars, you know?

That boy sound just like Doughboy Hawkins,

a fella I met in the Dust Bowl.

Tell you what I think.

I think it's 1959,

and this boy's singing

songs about the boxcar?

Hmm. What a boxcar

gonna mean to him?

Right here, we got race riots,

folks with no food.

Why ain't he out there

singing about that?

The boy a guest in our house.

I know he's a guest.

I'm just trying to speak what's in my mind.

No!

Say it.

Live your own time, child.

Sing about your own time.

Greenwich Village,

once the in spot

for beatnik jazz and bebop,

is today home

to the popular folk music fad,

a do-it-yourself musical expression

that's attracted youngsters

from all across the nation.

For them,

these homespun songs of the working man

express a truth and candor

sorely lacking in today's

growing consumer society.

Why do you prefer folk music

to other types of music?

Because it's honest.

Commercial songs,

pop music can't be honest.

It's controlled and censored

by the people who run society

and make the rules.

Yet, among the many new

and talented artists to emerge,

one name stands alone

as the heart and soul

of this growing musical trend.

A young individual

who both writes and performs

some of his era's finest tunes,

and hailed by the New York Times

as folk music's

Troubadour of Conscience.

His name is Jack Rollins.

Jack Rollins,

folk sensation of the early '60s,

was the promise of a new generation.

So what was it that made him run

at the height of his career

and throw it all away,

trading in the limelight

for a different kind of light altogether?

He saw what was going on

in the world,

and he had the ability

to distill it into a song.

He could do a funny thing.

He could do a pathos thing.

He was sensational.

# For the times, they are a-changin' #

Now, this young man has

taken to the hearts of young people

who seem to somehow identify with, uh...

Jack, why do you think that is?

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Todd Haynes

Todd Haynes (; born January 2, 1961) is an American independent film director, screenwriter, and producer. He is considered a pioneer of the New Queer Cinema movement of filmmaking that emerged in the early 1990s. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's tragic life and death, using Barbie dolls as actors. Haynes had not obtained proper licensing to use the Carpenters' music, prompting a lawsuit from Richard Carpenter, whom the film portrayed in an unflattering light, banning the film's distribution. Superstar became a cult classic.Haynes' feature directorial debut, Poison (1991), a provocative, three-part exploration of AIDS-era queer perceptions and subversions, established him as a formidable talent and figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes received further acclaim for his second feature film Safe (1995), a symbolic portrait of a housewife who develops extreme allergic reactions to her suburban life. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. Haynes' next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era, drawing heavily on the rock histories and mythologies of David Bowie, Iggy Pop, and Lou Reed. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival and an Academy Award nomination for Best Costume Design. Haynes gained critical acclaim and a measure of mainstream success with his 2002 feature, Far from Heaven. Inspired by the cinematic language of the films of Douglas Sirk, Far From Heaven is a 1950s-set melodrama about a Connecticut housewife who discovers that her husband is gay and falls in love with her African-American gardener. The film received four Academy Award nominations, including Best Original Screenplay for Haynes. His fifth feature, I'm Not There (2007), marked another shift in direction. A nonlinear biopic, I'm Not There depicts various facets of Bob Dylan through seven fictionalized characters played by five actors and an actress. I'm Not There received critical acclaim and an Academy Award nomination for Best Supporting Actress for Cate Blanchett. In 2011, Haynes directed and co-wrote Mildred Pierce, a five-hour mini-series for HBO, which garnered 21 Emmy Award nominations, winning five, as well as four Golden Globe Award nominations and a win for lead actress Kate Winslet. In 2015, Haynes returned to the big screen with Carol, his sixth feature film and the first film not written by him. Based on Patricia Highsmith's seminal romance novel The Price of Salt, Carol is the story of a forbidden love affair between two women from different classes and backgrounds in early 1950s New York City. The film received critical acclaim and many accolades including six Academy Award nominations, five Golden Globe Award nominations, and nine BAFTA Award nominations. more…

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