Hondo Page #6

Synopsis: This is typical Wayne, but that's what makes Hondo a movie well worth watching. Good writing and fine acting, again proving how so under rated Wayne was his entire career. Take the time and watch Hondo, it most definitely will be time we'll spent. As for prejudicial moments, remember, this was 1953 and that's just as it was. Wayne is Wayne, and the Apaches were the white man's idea of Apaches. God bless good ole Sam!
Genre: Drama, Romance, War
Director(s): John Farrow
Production: Batjac Productions Inc.
 
IMDB:
7.1
Rotten Tomatoes:
86%
PG
Year:
1953
83 min
1,381 Views


That's my horse, all right.

Got my brand on it. "E.L." Ed Lowe.

What he says true?

- Yeah, that's his horse.

- Where'd you get him?

From his ranch,

that's where Im taking him back.

That's where he can pick him up.

But that's Indian territory, strict orders

against any Whites going in there.

You know something, Joe, l got a bad

ear. L can't hear a thing you're saying.

Aren't you gonna prefer charges

against him?

He may be a mean, ornery,

son-of-anything-you-wanna-call-him,

but he ain't no horse thief.

And Im not gonna call him one,

to his face or his back.

You stay here.

l thought the Apache were always silent.

Not when they seek squaw.

You pick one.

What?

Its not good for Small Warrior

to be without father

to teach him how to be man.

This is the one l was calling Emiliano.

Very brave, has taken many scalps.

He has six horses, and two squaws,

but one old and will soon die.

He's good hunter.

Never hungry, his wickiup.

This is one who is called Kloori.

He has ten horses, one squaw.

Sachito, brave warrior, many horses.

Not much beat squaws, sings very loud.

- Boy, go stand by my horse.

- Yes, Vittorio.

Small Warrior never to see tears,

Apache does not weep.

Chief, you can't make me do this,

Im married.

You are fool, your man dead.

Soon come planting rain.

lf your man come home by then, good.

lf not, you take Apache brave.

Remember, time of planting rain.

He's getting kind of deep

into Indian territory.

And so are we.

What are you squawking for?

You're getting well paid.

He'll be making camp pretty soon.

Don't get a chance at him then,

we'll turn back.

Quiet, Sam, l hear them.

Come on, Sam.

That's his camp, all right.

Rifle's gone,

must be out looking for camp meat.

- You're all right, you're not hurt bad.

- This tintype saved me.

That did it.

Now, every Apache between us

and the ranch will be alerted.

They'll have us cut off.

No, there's nobody between us

and Fort Seddon.

Beat it, Sam!

- White man understand Apache.

- A little.

He know now how he die.

Your coup stick shows many scalps.

Yes, many. Soon, you.

Man's scalp would look

out of place there.

You took all yours from squaws,

papoose, and dogs.

Your lodge should be real proud of you.

You will take long time die.

Where are soldiers, White man?

- How many?

- l don't know, Vittorio.

You know my name?

l saw you once at the Treaty Council

at Fort Meade.

The treaty.

The treaty was like rustle of wind

to White man.

- Now you tell, where are soldiers?

- This, l do not know.

- Hat. Soldier hat.

- l was once a soldier.

Why you here Apache land?

This is for me to know.

Im told you speak insults

Rate this script:4.5 / 2 votes

James Edward Grant

James Edward Grant (July 2, 1905 – February 19, 1966) was an American short story writer and screenwriter who contributed to more than fifty films between 1935 and 1971. He collaborated with John Wayne on twelve projects, starting with Angel and the Badman (which he also directed) in 1947 through Circus World in 1964. Support Your Local Gunfighter was released in 1971, five years after his death. more…

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Submitted on August 05, 2018

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