Hobson's Choice Page #2

Synopsis: 1880s Salford, England. Widowed Henry Hobson, owner/operator of Hobson's Boots, lives with his three adult daughters, Maggie, Alice and Vicky, in a flat attached to the shop. Henry is miserly, dipsomaniacal and tyrannical, not allowing his daughters to date as their sole purpose in life is in service to him and to the shop, they who receive no wages in that professional service. He changes his mind about Alice and Vicky, for who he will choose husbands, despite they, the romantic ones, already having chosen the men they would marry if given the opportunity. He will, however, not provide them with a dowry, which may prove to be a challenge in finding them who he would consider suitable husbands. Concerning Maggie, he believes she is far too useful to him as the overly efficient and organized one to let go, and too old at age thirty for any man to want her anyway. Incensed by her father's attitude about her, Maggie decides that she has to show him how wrong he is about her being an unmar
Genre: Comedy, Drama, Romance
Director(s): David Lean
Production: Criterion Collection
  Won 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
7.7
Rotten Tomatoes:
90%
NOT RATED
Year:
1954
108 min
616 Views


- Now, I've come here about these boots.

- Yes, Mrs Hepworth.

Well, they look very nice.

Get up, Hobson.

You look ridiculous on the floor.

- Who made these boots?

- We did. Our own make.

Will you answer a straight question?

Who made these boots?

They were made on the premises.

Young woman, you seemed to have

some sense. Can you answer me?

I think so, Mrs Hepworth,

but I'll make sure for you.

Tubby!

Did you wish to see

the identical workman, madam?

I said so.

I'm responsible

for all work turned out here.

- Yes, Miss Maggie?

- Man, did you make these boots?

- No, ma'am.

- Then who did?

Am I to question every soul in the place

before I find out?

They're Willie's making,

those, ma'am.

- Then tell Willie I want him.

- Certainly, ma'am.

- Who's Willie?

- Name of Mossop.

But I assure you if there's anything wrong,

I'm capable of making the man suffer for it.

- You Mossop?

- Yes, ma'am.

You made these boots?

Aye, I made them last week.

Take that.

- Read it.

- I...

- I'm trying.

- Bless the man. Can't you read?

It's the italics which makes it

difficult for him, Mrs Hepworth.

Now, listen to me, my man.

I'm particular about what I put on my feet.

I assure you this shall not occur again,

Mrs Hepworth.

- What shan't?

- I don't know.

Then hold your tongue.

Now, Mossop,

I've tried every shop in Manchester

and these are the best-made

pair of boots I've ever had.

Now, you make my boots in future.

- You hear that, Hobson?

- Of course he shall.

You keep that card, Mossop.

And don't you go to another shop

without letting me know where you are.

Oh, he won't make a change.

How do you know? The man's a treasure,

and I expect you underpay him.

- That'll do, Willie. You can go.

- Yes, sir.

He's like a rabbit.

Can I take your order

for another pair of boots, Mrs Hepworth?

No, not yet, young woman,

but I shall send my daughters here,

and mind - that man's to make the boots.

- Certainly, Mrs Hepworth.

- Good morning.

Good morning. Very glad to have had

the honour of serving you, madam.

What does she want to praise

a workman to his face for?

- He deserved it.

- Deserved be blown!

- Making him uppish now!

- Are you coming over, Henry?

I am!

- Dinner's at one o'clock, remember.

- Now look here, Maggie.

I set the hours in this house.

It's one o'clock dinner because I say it is,

not because you do.

- Yes, Father.

- So long as that's clear, I'll go.

Dinner's at half-past.

That'll give him half an hour.

Female perversity

comes from leading an indoor life.

Morning.

Women think they're important

because they're boss in t'kitchen.

How do?

Oh, no.

Front.

Morning. How d'you do?

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David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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