High Sierra Page #2

Synopsis: Roy 'Mad Dog' Earle is broken out of prison by an old associate who wants him to help with an upcoming robbery. When the robbery goes wrong and a man is shot and killed Earle is forced to go on the run, and with the police and an angry press hot on his tail he eventually takes refuge among the peaks of the Sierra Nevadas, where a tense siege ensues. But will the Police make him regret the attachments he formed with two women during the brief planning of the robbery.
Director(s): Raoul Walsh
Production: Warner Home Video
  3 wins.
 
IMDB:
7.6
Rotten Tomatoes:
94%
PASSED
Year:
1941
100 min
504 Views


You're gonna win this argument.

Leave her alone, or I'll flatten you!

- You and who else?

- Just me!

Cut it out! You won't get

nothing but a black eye.

I don't care what anyone says.

She's not going back!

So you think. He thinks different.

I'm not going back to that

dime-a-dance joint if I can help it.

- I'll go talk to him.

- With him, I don't think it'll work.

Yeah?

Can I talk to you a moment?

Sure. Help yourself.

Why do you want to send me

back to L. A? I like it here.

Don't play dumb.

I don't intend to.

Oh, I know what's going on...

...but I didn't get it from them.

Louis Mendoza told me.

He talks too much,

and all he does is brag.

So you see, Mr. Earle, Mendoza's

the one for you to worry about. Not me.

I ain't worrying about you.

It's them jitterbugs you got with you.

They'll be throwing lead over you.

Oh, I can handle them, all right.

Babe gets tough every once in a while,

but he's afraid of Red.

And I can make Red

think what I want.

Got it all figured out, ain't you?

In a way.

All right.

Let things stay as they are a few

days and see how it works out.

Oh, thanks, Mr. Earle.

Well?

Goodbye.

Yeah?

Morning. This is me, Algernon.

Anything I can do for you this morning?

You can rustle

me up some breakfast.

Lady next door got your breakfast.

She thought I ought to see if you

was stirring around. Yes, sir.

Where'd you ever get

the name Algernon?

My old lady thought it up.

Pip, ain't it? Kind of gives me class.

You like this dog?

- He's just a dog, ain't he?

- No, sir. A mighty fine dog.

Watch now. Pard?

Ducks! Ducks!

Down! Down!

Up! Up!

Jump!

Yes, sir, mighty fine animal, he is.

Proud of your dog, ain't you?

No, sir, he ain't my dog.

He took a liking to me and follows me.

- Sort of gets me worried too.

- Why?

Pard used to belong to a woodcutter,

who lived up here all year around.

Last winter, a snow slide come down

on that man's house and killed him dead.

Didn't kill Pard, though. A man saw

Pard wandering around in the snow...

...took him in, bam! If that man don't

up and die with the pneumonia.

Great big, strapping man too.

So Pard got to hanging

around the lodges.

And doggone if Miss Tucker

didn't come up here with the:

And I hear yesterday

she ain't gonna live.

So I'm just telling you about Pard,

in case you want him for your own dog.

Can I come in?

Yeah.

He breaking your heart

with the mutt's story?

- It's the Lord's truth.

- Look at him.

He's a born panhandler.

Everyone stuffs him, so now he won't

eat anything but a New York cut.

I guess I'll get back to the store.

Pard will stay with you, won't you, Pard?

Hey. Sit down. Have a cigarette.

Thanks.

- Where are your boyfriends?

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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