Henry & June Page #2

Synopsis: In 1931 Paris, Anais Nin meets Henry Miller and his wife June. Intrigued by them both, she begins expanding her sexual horizons with her husband Hugo as well as with Henry and others. June shuttles between Paris and New York trying to find acting jobs while Henry works on his first major work, "Tropic of Cancer," a pseudo-biography of June. Anais and Hugo help finance the book, but June is displeased with Henry's portrayal of her, and Anais and Henry have many arguments about their styles of writing on a backdrop of a Bohemian lifestyle in Paris.
Genre: Biography, Drama
Director(s): Philip Kaufman
Production: MCA Universal Home Video
  Nominated for 1 Oscar. Another 1 win & 3 nominations.
 
IMDB:
6.4
Rotten Tomatoes:
60%
NC-17
Year:
1990
136 min
595 Views


On your mark. | Come on.

I don't race anymore. To me, a bike | is just a means of getting home.

Get set.

- You're no match for me. | - Are you set, Eduardo?

- I warn you I used to race. | - Go!

- I'd love to read something he wrote. | - Fat chance. He'll never get published.

I've met Henry Miller.

He is virile, flamboyant.

He is a man life intoxicates.

He is like me.

But he doesn't know it yet.

Henry's quite a character.

Good night.

'Night, Hugo.

- Let me help you. | - I'll be fine.

Osborn said he'd be home, | and I want to surprise Henry.

I thought you could use a hand. | You're all right?

Yes, I'm fine!

I'll take the train, | and meet you home later.

I'll wait a minute just in case.

I don't want you to wait.

I'll see you tonight.

See you tonight.

Henry?

Osborn?

- Oh, excuse me! | - Oh, God, I forgot.

- I'm sorry. | - No, I'm sorry.

Oh, I'm sorry, I'm sorry. Wait.

Hiya, kid. | Slumming, huh?

I went to Osborn's place. | He told me where to find you.

I brought my typewriter. | I thought you should have it.

Can we go and sit down somewhere?

Why not?

There's a little cafe back here.

Come on.

That actress in the film...

she reminds you of someone.

A woman who obsesses you.

I know that feeling.

I'm often obsessed.

You oughta eat something, kid. | You eat like a bird.

All right, I'll tell ya.

June appeared like an angel. | I offered her a fool's fate.

She was a taxi dancer.

I paid my dime.

She put her head on my shoulder.

But then the lies began.

She told me her mother | was a Gypsy.

Her father was a count.

Later I saw a film and realized she | swiped her childhood out of the film.

And so?

So I married her.

She gave me the courage to quit my job | to write full time. She believed in me.

Somehow she got some money so | we could buy strawberries in the winter.

We're broke, | living in a dump in Brooklyn...

but we're living like kings.

Then one day she meets an artist.

Brings her home to live with us.

Pretty soon we're supporting Jean, too.

How is she getting the money?

- Pop. | - Pop?

Pop's her scam.

I found out about Pop only after | she barged in with a fistful of money...

and suggests I go to Paris to write.

Then she'll join me later.

I take one look into her lying eyes, | and say...

"Anything you say. "

Pack my bags | and I'm off to Europe.

But...

I'm not quite the sap | she takes me for.

Something tells me to double back...

and take a see.

But when I confront her, | she gets furious with me!

She said we would've starved | without Pop. "Pop's my patron saint. "

Your patron saint?

Yeah. That's what she calls him.

Only she's been telling Pop | that it's her writing.

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Philip Kaufman

Philip Kaufman (born October 23, 1936) is an American film director and screenwriter who has directed fifteen films over a career spanning more than five decades. He has been described as a "maverick" and an "iconoclast," notable for his versatility and independence. He is considered an "auteur", whose films have always expressed his personal vision.His choice of topics has been eclectic and sometimes controversial, having adapted novels with diverse themes and stories. Kaufman's works have included genres such as realism, horror, fantasy, erotica, Westerns, underworld crime, and inner city gangs. Examples are Milan Kundera's The Unbearable Lightness of Being (1988), Michael Crichton's Rising Sun (1993), a remake of Invasion of the Body Snatchers (1978), and the erotic writings of Anaïs Nin's Henry & June. His film The Wanderers (1979) has achieved cult status. But his greatest success was Tom Wolfe's true-life The Right Stuff, which received eight Academy Award nominations, including Best Picture. According to film historian Annette Insdorf, "no other living American director has so consistently and successfully made movies for adults, tackling sensuality, artistic creation, and manipulation by authorities." Other critics note that Kaufman's films are "strong on mood and atmosphere," with powerful cinematography and a "lyrical, poetic style" to portray different historic periods. His later films have a somewhat European style, but the stories always "stress individualism and integrity, and are clearly American." more…

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Submitted on August 05, 2018

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