Hellraiser III - Hell on Earth Page #3

Synopsis: Pinhead is stuck in a block after the Big Confrontation in "Hellbound," The block containing Pinhead and the puzzle cube is bought by a young playboy as sculpture. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle cube so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way.
Genre: Horror
Director(s): Anthony Hickox
Production: Paramount Home Video
  1 win & 7 nominations.
 
IMDB:
5.5
Rotten Tomatoes:
38%
R
Year:
1992
97 min
540 Views


- Maybe they're closed today.

- (Man) Closed every day.

Owner's in Hawaii.

Been there about a month.

Bull. My boyfriend bought something here

last week.

Couldn't have.

- Are you sure?

- Sure. Lived here 20 years.

I see everything. Come on.

(Dog yelping and growling)

Dead end.

Still, there's a back door, right?

Five seconds, we're browsing.

Wow. I didn't think this place

would be like this.

These places are always all show.

Do you break into a lot of art galleries?

I break in anywhere if it's raining

and I need a place to sleep.

So what are we looking for?

Anything. Contacts, clues...

Anything.

Oh, this is going to take forever. (Sighs)

How much do you think

your ex paid for that?

Whatever it took. Why?

Because this place is a scam.

Half the stuff was picked up for pennies.

School art classes, bankruptcy sales...

And closed-down lunatic asylums.

Property of the Shanard Institute.

Hey, Joey.

- Yeah?

- Check it out.

It's the box. (Giggles)

(Rock music)

Ooh, ouch, hubba, hubba...

Hi, baby.

- Welcome.

- You're JP Monroe, right?

- Right.

- And this is your club?

- Right again.

- Great club. I love it here.

- Thank you.

- Thank you for the rose.

That's a prize. You won it. I only award that

to a woman of exceptional beauty.

Lots of girls here

are better looking than I am.

No, no, no, no, no. Don't do that.

Don't put yourself down.

If you have a quality,

you should be proud of that.

Let that define you, whatever it is.

(Heavy breathing)

Aaargh!

(Laughing)

It's Joey Summerskill again.

For half an hour you've been dicking me

around about this tape.

I know it's late. I don't want to have

to get my station manager involved.

So, for the last time,

please get me whoever is in charge

of the Shanard video archives?

Thank you. Of course I'll hold.

Dr Fallan, how nice of you to take my call.

Can you hold on for a second?

Terri! What are you doing?

Can you just wait two seconds?

Dr Fallan, so sorry.

Michael? We need the Kirsty Cotton tape.

Your assistant has all the details.

OK, thanks a lot.

Bye-bye.

Yeah!

So, you got what you needed.

So, I guess we're all done.

So, uh...

So long.

Where will you go?

Look, you know there's a spare room

and you can always stay.

If you want.

You're more than welcome to, really.

Uh, wow, um...

That's great.

Um... I'll do breakfast.

So cool.

Radical.

Wow, you've got great taste.

This really says it, you know.

It's really... It's really dark.

- Don't you think?

- Mm-hm.

Do you mind me talking about your stuff?

Uh-uh.

If it bothers you, just say so.

- Doesn't bother me. I'm just not interested.

- Oh.

Like I'm not an interesting person?

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Peter Atkins

Peter Atkins was born in Liverpool, England on 2 November 1955. He was a founder member of The Dog Company, a 1970s avant-garde theatre group, along with Clive Barker and Doug Bradley - with whom he would later work on the Hellraiser movies. As well as his movie and TV work, he is the author of the novels Morningstar (1992) and Big Thunder (1997) and the collection Wishmaster and Others (1999). He is married to Dana Middleton and lives in Los Angeles, California. more…

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Submitted on August 05, 2018

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