Heaven Can Wait Page #2

Synopsis: Joe Pendleton is a football quarterback preparing to lead his team to the Superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he was not ready to die, and that his body has been cremated. Another body must be found without his death being discovered, and that of a recently murdered millionaire is chosen. His wife and accountant, the murderers, are confused by this development, as he buys the Los Angeles Rams in order to once again quarterback them into the Superbowl. At the same time, he falls in love with an English environmental activist who disapproves of his policies and actions.
Production: Paramount Home Video
  Won 1 Oscar. Another 8 wins & 13 nominations.
 
IMDB:
6.9
Metacritic:
72
Rotten Tomatoes:
89%
PG
Year:
1978
101 min
1,051 Views


and will take your place.

Are you telling me...?

I'm not supposed to be here.

But you are here.

You guys made a mistake.

This is insupportable.

You're talking to Mr Jordan.

- Anybody can make a mistake.

- Mr Jordan, we're due to take off.

I have the situation in hand.

If you don't take your place, the

others can't complete their journey.

- Is that fair?

- I'm not supposed to be fair.

If this is heaven,

YOU'RE supposed to be fair.

This is not heaven.

It's a way station.

- There is no mistake.

- Check on Joseph Pendleton.

When is he due to arrive

at this way station?

Sir, I don't understand.

A check? Why?

The likelihood of one being right

increases in proportion

to how much others try

to prove him wrong.

Pendleton, Joseph. Due to arrive

10.17 am, March 20th, 2025.

Sir, I really can't believe it. I...

I took him out

just before the accident.

You did what?!

You're not supposed to do that,

you must wait for the outcome.

But I was so sure, and it looked

like it would be painful.

- Wait. Are you saying...?

- Is this your first assignment?

Yes, sir.

Haven't you learned the rules?

Every question of life and death

is a probability until the outcome.

So he jumped the gun.

Just put me back

and we'll forget the whole thing.

This man must be put back

into his body at once.

Yeah.

Thanks, Mr Jordan.

Hey, I'll see you in about 50 years.

Hey, hey, Max.

- Max, I'm back.

- He can't hear you, Mr Pendleton.

I hope they got the best football

team in America in heaven,

and I hope God makes you

first-string.

Oh. Max, I'm going to get

my body back.

Where's my body?

Oh, dear.

Cremated. I see.

I'm starting against Dallas

on Sunday.

The body you occupied

on Earth has been cremated.

Uncremate me! You must be able

to do something right.

Do the words "not being a good sport"

mean anything to you?

We can put you

into another man's body,

provided his death

has not yet been discovered.

Are you kidding? Put me

into the body of another man?

I just got my body back in shape.

Joe, the only way you can return to

life is in the body of another man.

I shall have to take charge

of this case personally.

Incredibly graceful. He's about

your age and in perfect condition.

He's too short.

He'd never see over the line.

You know what kind of shape you gotta

be in to get to the Super Bowl?

Yes, Joe. I understand.

- He's not talking English.

- I told you he was German.

Hey, you talk any English?

We can't be seen or heard, Joe.

Well, I don't want to talk German.

- I gotta call plays in English.

- Joe, if you could not so much lower

but broaden your standards.

We've seen many bodies

and the choices are becoming limited.

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Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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Submitted on August 05, 2018

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