Heaven Can Wait Page #2

Synopsis: Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.
Genre: Comedy, Drama, Fantasy
Director(s): Ernst Lubitsch
Production: Twentieth Century Fox Home Entertainment
 
IMDB:
7.5
Rotten Tomatoes:
91%
NOT RATED
Year:
1943
112 min
656 Views


Henry Van Cleve! Do you think I'm the kind of girl

that would take a boy's last beetle?

Aw, that's all right.

You can have it.

Thank you, Henry. Now, if you want to,

you can walk with me to the corner.

From that moment on,

one thing was clear to me.

If you want to win a girl,

you have to have lots ofbeetles.

I was growing rapidly,

and so was New York.

Yes. New York was becoming

cosmopolitan...

and no household was considered fashionable

without a French maid.

So, one day a Fifth Avenue coach

stopped in front of our house...

and out of the coach

and into my life came Mademoiselle.

Mrs. Van Cleve will be here shortly.

Merci.

That's Mr. Van Cleve.

Oh, Monsieur.

Charmant, charmant.

This is Mr. Van Cleve's father.

He lives here too.

Grandpapa.

Sweet. Very sweet.

And who is this darling little boy?

That's the young master.

He's not so darling.

- Bad boy?

- Not good.

- Good morning.

- Bonjour, madame.

How do you do, mademoiselle?

- Your name is, uh -

- Yvette Blanchard.

- Yvette Blanchard.

- Oui.

The agency tells me

that you've just arrived from France.

- Oui.

- And are seeking employment in this country.

- Oui, madame.

- Uh, you have references?

- Oui, madame.

- May I see them, please?

Naturellement.

- Voil.

- Thank you.

Oh.

Uh, they're in French.

Oui, madame. But believe me -

toutes les rfrences- excellentes.

Here, my last employer-

Baroness Lalotte...

wishes me to be

such grand success in America...

that I shall never have desire

to return to France.

Ah. The French have such a...

continental way of expressing their gratitude.

Um, and here a rfrence

from the duc de Polignac.

He considers the two years

I spent in his house...

the two most happy years of his life.

Oh, it sounds just like a duke.

Um, what about your wages?

Uh, maybe in beginning $20 a month

would give satisfaction?

Twenty dollars a month!

You see, I've never gone higher

than $14 a month for a personal maid.

If I could only justify the difference.

Let me see.

- Oh, Mother?

- Come here, dear.

- Mademoiselle, this is my little boy.

- Bonjour, mon petit.

- Hello.

- He studies French.

Oh, mademoiselle, you must ask him

something in French. But not too difficult.

Oui. Avez-vous bien travaill

aujourd'hui, mon chri?

Huh?

That's what I was afraid of.

Now be a nice boy and go. I have an idea

that I want to discuss with Mademoiselle.

A brilliant child,

but a little backward in his French.

- And it just occurred to me that -

- Oh, madame.

It will be pleasure talk only French

to little fellow.

My whole vocabulaire

I make present to your baby.

With me in house, in one month I assure

Madame will not recognize own son.

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Samson Raphaelson

Samson Raphaelson (1894–1983) was a leading American playwright, screenwriter and fiction writer. While working as an advertising executive in New York, he wrote a short story based on the early life of Al Jolson, called The Day of Atonement, which he then converted into a play, The Jazz Singer. This would become the first talking picture, with Jolson as its star. He then worked as a screenwriter with Ernst Lubitsch on sophisticated comedies like Trouble in Paradise, The Shop Around the Corner, and Heaven Can Wait, and with Alfred Hitchcock on Suspicion. His short stories appeared in The Saturday Evening Post and other leading magazines, and he taught creative writing at the University of Illinois. more…

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Submitted on August 05, 2018

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