Happy-Go-Lucky Page #2

Synopsis: Poppy Cross is happy-go-lucky. At 30, she lives in Camden: cheeky, playful, frank while funny, and talkative to strangers. She's a conscientious and exuberant primary-school teacher, flatmates with Zoe, her long-time friend; she's close to one sister, and not so close to another. In this slice of life story, we watch her take driving lessons from Scott, a dour and tightly-wound instructor, take classes in flamenco dance from a fiery Spaniard, encounter a tramp in the night, and sort out a student's aggressive behavior with a social worker's help. Along the way, we wonder if her open attitude puts her at risk of misunderstanding or worse. What is the root of happiness?
Genre: Comedy, Drama, Romance
Director(s): Mike Leigh
Production: Miramax Films
  Nominated for 1 Oscar. Another 39 wins & 59 nominations.
 
IMDB:
7.0
Metacritic:
84
Rotten Tomatoes:
92%
R
Year:
2008
118 min
$3,494,485
Website
500 Views


Nutter.

- Chickens, we could do chickens.|- Chickens don't fly.

Lazy buggers.|What are we going to make, then?

- I don't know. What do you think?|- I don't know.

- Where are they?|- Here.

- That far apart, are they?|- Yeah. Don't poke me.

Wasn't going near you.

- Go on, then.|- Great.

You should ask an adult to help you.

I don't know any.

- I think they're quite good.|- Yeah, what do you reckon?

- I think we could pull in these.|- Definitely.

- Pub?|- Yeah, hair of the dog.

I'm ready. Put a bit of lippy on and away we go.

- Hi, Liz.|- Hi, Zoe. How are you?

Ooh.

Didn't expect that one!

Morning, Tina.

Birds that live here in North America,|they fly all the way to South America.

Yeah?

That's a journey and a half, isn't it?

But the... the biggest journey of them all|is of the arctic tern.

Because he flies from the Arctic...

Yeah? ...all the way - wow,|across the world - to the South Pole.

Isn't that incredible?

From the North to the South Pole|and that is... ssh!

And that is 9,300 miles. That's right.

Wow, wow.

All right, Nick, do the other side now.

Here we go, look. No, don't pull it out.

What we can do... Shall we give him...|Shall we give him a few bits?

Do you want to give him... I like that, I like that.

- Shall we give him one here?|- No.

No?

He's got eyebrows, look.

- Yeah?|- Let me see.

I think that's brilliant. That's brilliant.

Here we go.

Shall I put some more yellow in that?|There we go.

What colours do you think|your feathers could be?

See, you could do a rainbow colour.|That's a good idea, isn't it?

- I did a rainbow.|- Do a rainbow. Rainbows like parrots.

Don't put that on yet.

Let's have a look.

Little bit more. What about the fringing?

You could do a bit more|on the fringing there, couldn't you?

Hungry? It's going to be lunch time soon.

But I'm not a cook.|It's lunch time in a minute.

We're going to lunch in a minute.

You can wash your hands.

Who's ready?

Hey!

Oh, wow! That is fantastic. Look at you go!

Whooh! Flap your arms. Flap your wings.

Bit dangerous, innit?

What?

Putting these over their heads.

I'm trying to suffocate them.|That's my goal. Little buggers.

- They look great.|- How was your weekend?

- Crap.|- Oh, no, why's that, then?

I didn't do much, just stayed in, really.

It's the weekend, Tash.

- I know. I had a run-in with my mum.|- Did ya?

Mm. My sister was working Saturday.|I had to look after Jasmine.

- How is she?|- That girl eats too much.

Bless her.

She ate three chicken legs and four jam tarts|and then wants to tell me she's starving.

The little piglet.

- I dropped her off to my mum's.|- Yeah?

I said you've got to tell Sherryanne|that she needs to put this girl on a diet.

Rate this script:0.0 / 0 votes

Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

All Mike Leigh scripts | Mike Leigh Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Happy-Go-Lucky" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/happy-go-lucky_9617>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Happy-Go-Lucky

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.