Fuga Page #2

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What do they want?

What happened, sweetie?

What did they do to you, sonny?

You're thirsty?

I don't like this place, Anbal.

I'm not going to leave him here;

over my dead body.

You've got this problem, not Eliseo.

I restructured this hospital myself;

trust me a little, will you!

Don't you talk to me like you're

campaigning.

How are you, minister?

Hello.

Ma'am...

How are you?

How wonderful that you've both

come. Sit, please.

Well, Eliseo has been given a

sedative,

but he's, let's say, stable.

What do you think he has, doctor?

As you may know, many of these

disorders are hereditary;

they're dormant until triggered by

some trauma.

There are no nutcases in my family,

if that's what you mean.

Well, in my opinion,

Eliseo should stay here, under

observation for a few days,

so that the medical team and I can

then evaluate him

and make an accurate diagnosis.

There's absolutely no way that I'm

going to leave my son here.

You and nobody else will be

responsible

for what happens to Eliseo.

Nothing's going to happen

to him here,

nothing.

Mr. Roth, you do understand why my

son is here, don't you?

Don't worry, Minister,

your son will be treated according to

his stature;

trust your people.

They cut you off from everything

here, dearie.

All they're going to give you are pills

- cyclorazepan, amparax, saidon,

fluoxetina -,

and a little current all of a sudden

to make your hairs stand on end and

your ass tickle.

They're also going to feed you Mrs.

Lucre's food

that tastes like soiled sheets and

smells like piss.

It's all a big f***ing mess here,

everything's really hairy, hairy,

except for me.

Yes, I like it;

it's original,

interesting.

I like it a lot;

it has a strange harmony,

but it has something, it does.

It's good.

Where did it come from?

Well, it's a project I've been working

on for some time.

I really trust your talent

and the creative ability we can

generate with this quartet.

And?

And well, this is an invitation for you

to help me refine and then

produce this opus.

I'm honored, I really am.

Hang on a minute.

What do you need us for?

It's a concert for piano and orchestra.

It's really a very difficult concert;

it's a complex work

and I think that it has to be tested

first in a small orchestration.

That's why I'm asking you.

So, guys, what do you say?

Could you play a little more?

How do you feel?

Sometimes...

Do you know why you're here?

Do you remember destroying six

grand pianos?

They attacked me first.

What?! Are you telling me that...?

What did you see?

Do you hear voices?

Music.

Music?

Classical music?

Sometimes.

Do you think about death?

All the time.

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