Eros Page #2

Synopsis: A three-part anthology film about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; and a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.
Genre: Drama, Romance
Production: Warner Independent Pictures
  1 win.
 
IMDB:
6.0
Metacritic:
51
Rotten Tomatoes:
33%
R
Year:
2004
104 min
$53,666
Website
690 Views


Marlboro Man!

It has some famous patient?

- I can not speak of my patients.

Oh, right. I saw a sketch

once in a night club.

Doctor-patient relationship.

ll was entitled''Patience,''Doctor

I remember. Not that I do not want

know the names or, you know, personal things ...

but only if there are any products

mentioning that for the case ...

Mr. Penrose, I ...

- L consumers take it seriously.

Remember Jack Webb?

- Yes

It was the rclame of Chesterfield?

- I can just help.

Oh, my God, caused him to shoot

sales through the roof.

I have all the data.

His sister has mentioned

applicant to a dream.

The woman in the dream!

The''woman''in the dream.

Why say so?

No, Cecilia says so.

E and his wife Cecilia?

- Yes

He told the dream?

I made the mistake of talking,

once.

Now become a ritual.

Or rather it was up a. ..

until yesterday.

And that happened yesterday?

leri have fallen in the kitchen

and I told the dream.

The last part.

Why is there a woman in the dream.

When I wake up, I can not remember who,

but in the dream, I know perfectly.

Know, and much ... not a sexual dream.

Not exactly.

But anyway, we are them, and I say:

But what''and''cabbage. God

Because there I was thinking. And I heard

that the air had changed,

I looked, and that was them

shook his shoulders and wept.

Why crying?

I do not know.

Gliel'ha asked?

He did not want to say.

Was disturbed.

Yes

Mr Penrose has ever thought

which could also sit down?

Yes, I wonder if men of

caves spoke of their dreams and

had conversations

code with the wives,

while

deer ate cold.

lmmagina often be

a man of the caves?

No.

I am pretty happy with the 1955th

Watch the progress in medicine, polio,

tuberculosis, the Dodgers ...

It was a joke.

How is it going with Cecilia

since he cried in the kitchen?

Well, well.

E 'as a nurse at night when

I have the tonsils removed.

Gentile, but not available.

This is her dream she does,

how long?

And 'the point.

Since Hal has presented

with his new friend in the head.

He has upset everything.

You see, the story with the woman

in the dream and a test!

I need to see that Cecilia

I know the answer ...

or if they andra.

That is why must help me. If you decide

to let me, I do not know what the lighthouse.

So I need an answer immediately.

Now.

I must first be able to leave.

- Oh, Mr. Penrose.

If and managed to say a sentence

to my sister, e. ..

Mr Penrose ...

In my opinion, I called Nick.

- The human being ...

not a carburetor.

Talk about it and see.

Every person and another case.

She and very stressed.

E 'agitated for the job, the dream

applicant, the situation with his wife.

It 'much more agitated than usual.

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Michelangelo Antonioni

Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007), was an Italian film director, screenwriter, editor, and short story author. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action in favor of contemplation, focusing on image and design over character and story. His films defined a "cinema of possibilities".Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard. more…

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Submitted on August 05, 2018

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