Elevator Girl

Synopsis: Succesful Boston lawyer Jonathan McIntyre is a fatherless workaholic, who only dates girls recommended as career boosts by his colleague and buddy Nick Sweeney. At Jonathan's festive inauguration as the law firm's youngest full partner, he meets in the elevator Liberty Taylor, the caterer, who still refuses to pick one of her jobs for every day of the week. Encouraged enterprisingly by his secretary Rosemary, they date and start falling in love. As Nick predicted, her lack of ambition and social skills prove rather a big obstacle for his future.
 
IMDB:
6.4
TV-PG
Year:
2010
88 min
131 Views


SAY SOMETHIN' TODAY,

MY FRIEND:

'CAUSE I

I DON'T UNDERSTAND

WHY YOU'RE STILL HERE

JUST TURN OUT THE LIGH AND SAY GOOD-BYE

TO YOUR TIRED FEAR

OH-OHH-OH

IT'S JUS ANOTHER WALK IN THE PARK

IT'S JUST ANOTHER DAY

[alarm clock beeping]

IT'S JUST ANOTHER

WALK IN THE PARK

IT'S JUST ANOTHER DAY

[beeping stops]

WON'T YOU COME OUT TO PLAY,

MY FRIEND?

'CAUSE I

I'M OVER YOUR STARRY EYES

I KNOW YOU WANT TO LAY

IN THE SUN AND MELT AWAY

BUT YOU'RE MAKING

THE SAME MISTAKE

OHHH:

IT'S JUS ANOTHER WALK IN THE PARK

IT'S JUST ANOTHER DAY

IT'S JUS ANOTHER WALK IN THE PARK

IT'S JUST ANOTHER DAY

I KNOW THERE'S LIGH AT THE END OF THE DAY

YOU'LL SEE THE SAME

DON'T END THIS DRIVE

TILL THE SUN SETS YOUR WAY

GO FIND IT TODAY

IT'S JUS ANOTHER WALK IN THE PARK

IT'S JUST ANOTHER DAY

IT'S JUS ANOTHER WALK IN THE PARK

IT'S JUST ANOTHER DAY

IT'S JUS ANOTHER WALK IN THE PARK

IT'S JUST ANOTHER DAY

IT'S JUS ANOTHER WALK IN THE PARK

IT'S JUST ANOTHER DAY

AY-AY-YAY AY-YAY-AY-AY

GOOD MORNING, ROSEMARY.

GOOD MORNING, JONATHAN.

WHAT DO YOU GOT FOR ME?

WELL, KELLER CALLED.

ALSO BELL'S ATTORNEY.

UH, MR. SHUSTER WANTS TO SE A LUNCH THIS WEEK.

I SET IT FOR THURSDAY.

AND, UH, YOUR CHIROPRACTOR

CALLED BACK.

YOU HAVE:

AN APPOINTMENT TOMORROW.

WHAT WOULD I DO:

WITHOUT YOU?

PROBABLY:

WOULDN'T HAVE MADE PARTNER

AT SHUSTER, BARRON & CLYDE.

HEY.

HI, LIBBY.

- IS IT COLD?

- OH, IT'S BEAUTIFUL.

REALLY?

HEY.

HEY.

LUNCH.

OH, I LOVE YOU.

I'M SWAMPED TODAY.

I ALREADY HAVE:

FOUR APPOINTMENTS.

I STILL HAVE TO DO PAYROLL

AND COME UP:

WITH NEXT WEEK'S SCHEDULE.

WELL, THAT'S

WHAT BEST FRIENDS ARE FOR.

YOU JUST REMEMBER THA WHEN YOU FILL OUT THOSE CHECKS.

YOU KNOW, LIB, IF YOU

FINALLY FINISH THOSE CLASSES,

I COULD ACTUALLY PAY YOU

AS A MASSAGE THERAPIS AND NOT JUST A RECEPTIONIST.

COME ON!

YOU WERE SO GOOD AT THAT...

FOUR YEARS AGO.

I'VE GOT MY HANDS FULL.

I MEAN, AFTER THIS,

I'M DJing AT SUNSET,

THEN I HAVE A CATERING GIG.

GOD, I-I DON'T KNOW

HOW YOU DO IT.

YOU HAVE A DIFFERENT SCHEDULE

EVERY WEEK, EVERY DAY.

LIFE IS A JOURNEY, TESSA.

I LIKE TO JUST ENJOY

THE RIDE.

- [groans]

- [laughing]

AH, LOOK AT THIS.

COLLEGE ROOMMATE'S NUPTIALS,

THREE WEEKS AWAY.

HMM.

YOU KNOW, ACTUALLY, ROSEMARY,

I CAN'T MAKE IT TO THAT.

OH, REALLY?

WELL, I FIGURED,

SO I SENT YOUR REGRETS

AND A BLENDER--

VERY FANCY, ALL CHROME.

- NICE.

JONATHAN,

IF YOU NEVER SEE ANYTHING

OUTSIDE OF THE FOUR WALLS

OF THIS OFFICE,

HOW ARE YOU EVER GOING

TO FALL IN LOVE?

GIVE ME THIS.

ROSEMARY, TRUE LOVE,

WHATEVER THAT IS,

IS FOR FAIRY TALES

AND ANIMATED MOVIES.

OH, THAT IS SO NOT TRUE.

BUT YOU WILL BE HAPPY

TO KNOW, I, UH...

I ACTUALLY DO HAVE

A BLIND DATE.

WHO ARE YOU ALLOWING TO PLAY

MATCHMAKER OTHER THAN ME?

- NICK.

- OH, NICK.

OF ALL PEOPLE,

YOU THINK NICK KNOWS

WHAT YOU NEED:

IN A RELATIONSHIP?

HE'S WITH ME HERE ALL DAY

AT THE OFFICE.

HE KNOWS HOW I TICK.

HE'S PRETTY MUCH

MY BEST FRIEND.

YES, ROSIE, I AM INDEED

HIS BEST FRIEND,

AND I DO KNOW WHA AN UP-AND-COMING ATTORNEY-AT-LAW

NEEDS IN A FEMALE COMPANION.

REALLY?

WELL, WHO IS THIS WOMAN?

CYNTHIA DUPONT.

SHE'S A, UH, P.R. EXEC.

CYNTHIA DUPON IS A 31-YEAR-OLD

EXECUTIVE V.P., OKAY?

SHE'S-- SHE'S GORGEOUS.

SHE HAS HER M.B.A.

SHE'S PERFECT.

HOW ROMANTIC.

COME ON, ROSIE!

I MEAN, JONATHAN'S

ABOUT TO BE MADE PARTNER.

IN JUST A FEW HOURS,

HE WILL BE HERALDED

BY THE POWERS THAT BE

OF SHUSTER, BARRON & CLYDE,

USHERED INTO THE INNER CIRCLE

OF COUPLES DINNERS,

COUNTRY CLUB MEMBERSHIPS,

[whispering]

AND FULL-TIME NANNIES.

I MEAN, IF HE'S GONNA

PLAY THE PART,

HE'S GOT TO HAVE

THE RIGHT GIRL BY HIS SIDE.

AND YOU'RE THE MAN

TO HELP HIM FIND HER?

YES!

I REST MY CASE.

- THANK YOU, ROSEMARY.

- MM-HMM.

ALL RIGHT, EVERYBODY UP!

LET'S SEE SOME DANCING.

[funk music]

- YEAH! UH!

YO, I THINK IT'S GROOVY.

NICE. GOOD, GOOD, GOOD.

OOH, DONALD,

I THINK LENORE MADE I PERFECTLY CLEAR LAST WEEK

THAT SHE DOESN'T LIKE I WHEN YOU PUT YOUR HAND

ON HER BACKSIDE.

I'M RECONSIDERING.

PICKIN'S IN THIS PLACE

ARE SLIM.

HARRY.

HARRY, MAY I HAVE

THIS DANCE?

OH, YOU'RE

SUCH AN ANGEL, LIBBY.

AW, THANK YOU.

GOOD EVENING,

MR. MACINTYRE.

HEY, TOM, HOW ARE YOU

THIS EVENING?

DOING WELL. THANKS.

GOOD. THANK YOU.

THANK YOU. ALL RIGHT,

SEE YOU LATER.

GOOD EVENING,

MR. MACINTYRE.

- DOUG, HOW ARE YOU?

- JUST FINE.

CONGRATULATIONS:

ON YOUR PROMOTION.

- OH, THANK YOU VERY MUCH.

- YOU'RE WELCOME.

HAVE A GOOD EVENING, SIR.

- YOU TOO. TAKE CARE.

GOOD EVENING, SIR. WELCOME

TO THE BEVERLY GLEN HOTEL.

GOOD EVENING.

EVENING, MA'AM.

[dings]

[dings]

OH, HOLD THE ELEVATOR,

PLEASE!

- SORRY.

- PLEASE HOLD IT.

THANK YOU.

- YEAH.

[dings]

THANK YOU SO MUCH.

NO PROBLEM.

[lights buzzing]

[thud]

[sighs]

ARE-- ARE WE...?

STUCK? YEAH.

[indistinct chatter]

FRANK...

THE LOBBY POWER'S OUT AGAIN.

YEAH, LOOKS LIKE THE WHOLE

CORRIDOR'S DOWN, UH, DOUG.

HAVE SOME PATIENCE.

GOT TO WAIT IT OUT.

OH, I DON'T HAVE

ANY SERVICE HERE. DO YOU?

OH, I DON' HAVE A CELL PHONE.

WHAT? PEOPLE SURVIVED

FOR CENTURIES WITHOUT THEM.

[sighs]

LET ME SEE.

OH, GREAT, YEAH.

NO DIAL TONE.

NOTHING.

[sighs]

[indistinct chatter]

WOW, IT'S, UH...

IT'S A LITTLE CLAUSTROPHOBIC

IN HERE.

YEAH. YEAH,

IT IS A LITTLE, UM...

STUFFY IN HERE, HUH?

WELL, IT SEEMS LIKE WE'RE

GONNA BE HERE FOR A MINUTE,

SO MAYBE WE SHOULD

INTRODUCE OURSELVES.

Rate this script:0.0 / 0 votes

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Elevator Girl" Scripts.com. STANDS4 LLC, 2024. Web. 23 Apr. 2024. <https://www.scripts.com/script/elevator_girl_7569>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Elevator Girl

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.