Dracula's Daughter Page #2

Synopsis: Prof. Van Helsing is in danger of prosecution for the murder of Dracula...until a hypnotic woman steals the Count's body and cremates it. Bloodless corpses start appearing in London again, and Hungarian countess Marya Zaleska seeks the aid of Jeffrey Garth, psychiatrist, in freeing herself of a mysterious evil influence. The scene changes from foggy London back to that eerie road to the Borgo Pass...
Genre: Drama, Fantasy, Horror
Director(s): Lambert Hillyer
Production: Passport
  1 nomination.
 
IMDB:
6.4
Rotten Tomatoes:
46%
APPROVED
Year:
1936
71 min
727 Views


as beautiful as this,

nor as compelling.

You will remember nothing.

Well, here we are,

Sergeant.

What about a little

drop of the "all right,"

just to keep the chill

off the bones?

Where've you got the bodies?

In there.

Albert, this is Sergeant Wilkes

of His Majesty's Scotland Yard.

Well, well.

Where's your manners?

What's the matter, lad?

What is it, lad? What's the

matter? Wake up! Wake up!

Sergeant! Here,

something's happened to him!

There's only one body in there.

What?

See for yourself.

- He's gone!

- Who?

Count Dracula.

But you were...

Unto Adonai and Azarel,

into the keeping of the lords of the

flame and lower pits I consign this body...

to be forevermore consumed

in this purging fire.

Let all baleful spirits that threaten

the souls of men be banished...

by the sprinkling of the salt.

Be thou exorcised, O Dracula,

and thy body, long undead,

find destruction throughout eternity

in the name of thy dark, unholy master.

In the name of the all holiest,

and through this cross,

be the evil spirit cast out

until the end of time.

Free... free forever.

Do you understand what that means,

Sandor? Free to live as a woman...

free to take my place in the

bright world of the living...

instead of among the

shadows of the dead. Perhaps.

- What do you mean?

- This night is almost gone.

Who knows what another

will bring?

Quick. We have to be

in London before dawn.

- The night is here.

- Why are you looking at me that way?

I'm remembering

last night... and waiting.

You think this night will be

like all the others, don't you?

Well, you're wrong. Dracula's destroyed.

His body's in ashes. The spell is broken.

I can live a normal life now,

think normal things.

Even play normal music again.

Listen.

A cradle song... a song my mother

once sang to me long, long ago,

rocking me to sleep as she

sang in the twilight. Twilight.

Quiet. Quiet.

You disturb me.

Twilight...

long shadows on the hillsides.

Evil shadows.

No.

No, peaceful shadows,

the flutter of wings

in the treetops.

The wings of bats.

No.

No, the wings of birds.

From far off,

the barking of a dog.

Barking because there are

wolves about.

Silence! I forbid you! "Forbid"?

Why are you afraid?

I'm not.

I'm not.

I found release!

That music doesn't speak of release.

No. No!

You're right!

That music tells

of the dark...

evil things,

shadowy places.

Stop. Stop! Stop!

Sandor, look at me.

What do you see

in my eyes?

Death.

Hurry. Hurry,

it's almost daylight.

There's blood on it

again.

When did he have

the last transfusion?

About four hours

before he died.

What do you think

caused his death?

Rate this script:5.0 / 1 vote

Garrett Fort

Garrett Elsden Fort (June 5, 1900 - October 26, 1945) was an American short story writer, playwright, and Hollywood screenwriter. He was also a close follower of Meher Baba. Fort made his screenwriting debut with the silent film, One of the Finest (1917). Early in his career, Fort co-wrote the Broadway play Jarnegan (1928), based on the novel by Jim Tully. Fort's first talkie effort was the ground-breaking Rouben Mamoulian production Applause (1929). In 2006 Applause was recognized as a culturally, historically and aesthetically significant film by the National Film Registry.Fort was adept at alternating horrific highlights with bits of unexpected humor. As a screenwriter he is best remembered for his work on the original screen adaptations of such horror / melodrama films as Dracula (1931), Frankenstein (1931), Dracula's Daughter (1936), and The Mark of Zorro (1940). more…

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Submitted on August 05, 2018

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