Dr. Ehrlich's Magic Bullet Page #2

Synopsis: Dr. Paul Ehrlich was the German physician who developed the first synthetic antimicrobial drug, 606 or Salvarsan. The film describes how Ehrlich first became interested in the properties of the then-new synthetic dyes and had an intuition that they could be useful in the diagnosis of bacterial diseases. After this work met with success, Ehrlich proposed that synthetic compounds could be made to selectively target and destroy disease causing microorganisms. He called such a drug a "magic bullet". The film describes how in 1908, after 606 attempts, he succeeded.
Genre: Biography, Drama
Director(s): William Dieterle
Production: Unknown
 
IMDB:
7.5
APPROVED
Year:
1940
103 min
152 Views


Just beginning.

Have you verified

the work done

At the Pasteur Institute?

Louis' experiments?

That's where

I'm about at the moment.

Well, if proven,

his contention will change

Our whole perception

of bacteriology.

True, so if you

realize that thing.

What department

are you in doctor?

Dermatology.

It's extraordinary

that you should be so...

Well informed

on the subjects

So far removed

from your own field.

Are you interested

in microscopic findings?

Well, I've been

experimenting with dyes.

The new anilines.

Trying various combinations

and their effect on cells.

If you'd care

to see some slides?

I'll be delighted.

- Extraordinary!

- Hm?

'The nuclei of the

white blood cells are deep blue. '

This is by far

the clearest picture

Of human blood

I've ever seen.

It seems the chemical

make-up of the nuclei

Has a special

affinity for this dye.

What do you mean affinity?

The attraction, certain atoms

possess for certain other atoms

Causes them to unite

and form compounds.

Most extraordinary.

A few minutes ago

I injected a living worm

With a dye I call

methylene blue.

It has an affinity

for the nerves of the worm.

The same phenomenon.

The whole nervous system blue.

It is blue, upon injection

into the blood stream

The dye circulated

to the worm's body.

It combined with the nerves.

The nerves and nothing else.

Wonderful!

It all depends upon discovering

the special dye which has

An affinity to the substance,

one which is to stain.

Specific staining.

Great heavens!

What about a microbe?

Do you think it'd be possible...

To stain a microbe

and nothing else on the slide?

It would be possible,

I think.

Then, this is very important.

I mean, really important.

Well, you... you make me

very happy.

- Goodnight, Dr...

- Ehrlich.

Ehrlich.

- Let's see each other soon.

- The sooner, the better.

Good morning. I must see

Professor Hartman right away.

You'll have to wait.

Dr. Wolfert is with him.

I hope you'll understand,

Herr geheimrat

That I wouldn't have spoken

in this way

If I hadn't considered

it absolutely necessary.

I have nothing against

Dr. Ehrlich personally.

Although, I must confess

to a certain feeling

Against people of his faith

in our profession.

I quite understand.

Thank you, Herr geheimrat.

Tell Dr. Ehrlich to come

here at once.

'Yes, herrgeheimrat. '

Good morning, herrgeheimrat.

'Ehrlich. '

I have an unusually long list

Of complaints about you

this morning.

First, in the case

of the patient Merk.

You disregarded the instructions

about the sweat baths.

Yes, sir.

'Second, you were wanted in

ward, and you were not there. '

Well, I was busy working

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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