deux orphelines vampires, Les Page #2

Year:
1997
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You think you see me now.

You see the madwoman

of the train station.

My reality is within.

They say I'm crazy

because I'm a she-wolf.

Do you bite too?

Do you transform into a werewolf?

An ordinary she-wolf, alone.

I'm so alone.

When there's a full moon,

the animal in me comes out.

People don't believe.

That's why they lock me up.

But the dogs know. They feel it.

They sniff the wolf,

their enemy, and they attack me.

Often, my stare

keeps them at a distance.

But sometimes

they scratch me with their claws.

That's horrible.

What do you do to escape them?

When there's one or two,

I slit their throats,

strangle them, break their backs.

But if there is a pack,

I find refuge in some place like this,

where they won't come.

You don't believe me. You neither.

You think I'm crazy.

Look what they did to me!

Do you think dogs

would do this normally?

No.

But to a she-wolf,

they're wild dogs.

See the full moon.

Listen now, to the she-wolf.

You'll never forget her.

Her cry of anguish and agony

will resound forever in your heads.

Dogs

They are -

I hear them.

It's me they want!

My scent attracts them.

We'll have to find

a new book for tomorrow.

I took one from

the mother superior's library.

- What is it?

- History of the Incas.

There are the serpent and bat gods.

Those gods - are they us?

Yes, us. You'll see.

There are human sacrifices.

People sacrifice themselves.

They let their throats be slit

just to please us.

- That would be so nice!

- Yes, it would.

Let's go to sleep.

Be happy, my children.

With God's love and the respect of

your protector, our good Dr. Dennery.

He'll be your father now.

Ah, we'll miss you.

It's sad to see our angels leave.

We love them so much.

They'll be happy with me.

And who knows?

One day I may discover the secret

of their mysterious loss of sight.

Oh, father, you've given us so much.

We're happy just to be with you.

Come, my children.

Paris is waiting.

Careful.

And here's the entrance.

Here's the living room.

Keep in mind there are three armchairs,

a couch and a coffee table.

You'll learn where each piece

of furniture is placed.

I'll leave you to discover your room.

I'll go to bed early.

In the morning, I'll have an opportunity

to show you where everything is.

Good night, my children.

Good night, Doctor.

You'll have to get used to

calling me father.

But that'll come.

Our day, for us, is blue.

The light, for us, is black.

The other people's sun

has made us blind.

- But when it is hidden -

- Our dream begins.

- They'll never know.

- The two blind orphans can see at night.

- Like the cats.

- Like the tigers. Like the beasts.

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Jean Rollin

Jean Michel Rollin Roth Le Gentil (3 November 1938 – 15 December 2010) was a French film director, actor, and novelist best known for his work in the fantastique genre. His career, spanning over fifty years, featured early short films and his achievements with his first four vampire classics Le viol du vampire (1968), La vampire nue (1970), Le frisson des vampires (1970), and Requiem pour un vampire (1971). Rollin's subsequent notable works include La rose de fer (1973), Lèvres de sang (1975), Les raisins de la mort (1978), Fascination (1979), and La morte vivante (1982).His films are noted for their exquisite, if mostly static, cinematography, off-kilter plot progression and poetic dialogue, their playful surrealism and recurrent use of well-constructed female lead characters. Outlandish denouments and abstruse visual symbols were trademarks throughout his 'dark fantasy' career. Remarkably, in spite of their seeming high production values and precise craftsmanship, his films were made with very little money, and often under crushing deadlines. In the mid-1970s, lack of regular work led the director to direct mostly pornographic films under various pseudonyms, a process he kept on going up until the 1980s. more…

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