Desert Fury Page #2

Synopsis: Fritzi Haller is a powerful casino owner in Chuckawalla, Nevada. Her daughter Paula (having quit school) returns at the same time as racketeer Eddie Bendix, who left under suspicion of murdering his wife. Paula and Eddie become involved; each for their own reasons, Fritzi, Paula's old beau Tom, and Eddie's pal Johnny try to break up the relationship. Then Eddie's past catches up with him in an unexpected way.
Director(s): Lewis Allen
Production: Paramount Pictures
 
IMDB:
6.7
Rotten Tomatoes:
50%
APPROVED
Year:
1947
96 min
106 Views


Oh, don't talk like that.

The Judge.

Judge?

Even the title is phony.

He's trying to be nice.

He said he'd talk to her.

He's been talking to her ever

since I was eight years old.

You're not eight years old anymore.

No.

I used to cry when I was eight.

But you don't cry anymore?

No. I'm like you now, Fritzi.

I'm getting more like you every day.

Like mother, like daughter.

Two very charming...

Oh, shut up!

Can I go upstairs now, mother?

Now look, baby. I don't

want to fight with you.

You know I don't want to fight with you.

Is it?

Yes it is.

Pour me a drink.

Fritzi, it may be...

Pour me a drink.

[ Telephone ]

Hello.

It's the Sheriff.

Oh, you talk to him.

Hello Pat. Fritzi doesn't feel too well.

She asked me to talk to you.

Yes.

Alright, Pat.

Pat told me to tell you that

Eddie Bendix is in town.

Eddie Bendix?

Yes.

It seems like he's taken a lease

on the Halverston ranch.

Looks as though he'll be

around for a little while.

Eddie Bendix.

He's an old friend of

yours isn't he, Fritzi?

You say that as though you didn't know.

Did Pat say why he's come here?

He told me to ask you that.

I might have known.

Goodbye, Burl.

I'd like to explain to you about...

Goodbye, Burl.

You haven't taken your drink, Fritzi.

It will keep.

Paula.

Yes, mother.

Come here, baby.

I'm glad you're home. Really I am.

Thanks, Fritzi. Thanks very much.

Tell me, baby.

Why did you leave this time?

The usual reasons.

Where do you come from?

Who are your folks? What do they do?

Do you always tell them?

You don't want me to lie, do you?

Why not?

I'm not ashamed of you.

Do you want me to be?

No.

Fritzi, I'm so much older than they are.

Oh, you just think you are.

They're just babies. They

don't know what they want.

And you do?

Yes.

Mind telling me?

I'm going to stay here.

And do what?

Work with you at the Purple Sage.

Now you listen to me.

If you even go near

that place, and I'll...

Here I go. Blowing up again.

Talk about it later, huh baby?

We'll talk about it now.

Alright, if that's the way you

want it. The answer is "no".

That's not what I have in mind for you.

What do you have in mind for me, Fritzi?

What put the idea in your head?

Tell me, Fritzi.

You tell me!

Alright. Because that's what you do.

I used to work in a silk mill

at Patterson, New Jersey.

I used to make eight bucks a week.

You wouldn't like that.

I had one pair of shoes and one dress.

My father was a drunk and

my mother didn't care.

For me, it was any

way out, but for you...

Fritzi, people come to you.

They do as you say.

And that's for you?

Yes, that's for me.

You're crazy, baby.

You'd come running to me

at the first sign of trouble.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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