Dersu Uzala Page #3

Synopsis: A Russian army explorer who is rescued in Siberia by a rugged Asian hunter renews his friendship with the woodsman years later when he returns as the head of a larger expedition. The hunter finds that all of his nature lore is of no help when he accompanies the explorer back to civilization.
Director(s): Akira Kurosawa
Production: Nelson Entertainment
  Won 1 Oscar. Another 7 wins.
 
IMDB:
8.3
Rotten Tomatoes:
71%
G
Year:
1975
142 min
812 Views


Climb out of den!

Sun is up!

Only then did I realize

what Dersu had done for me.

His witshad saved me.

Thank you, Dersu.

Thank you.

What would I have done without you?

Go together, work together.

No need thanks.

That's Olentiev!

From that point on...

our expedition became more difficult.

Let's go! Go!

Severe frost.

Exhaustion.

Hunger.

Man is very small

before the face of nature.

Forward! Forward! Don't stop!

Forward!

Captain!

Me find smell of smoke.

Udegheis are frying fish.

Thank you.

Captain.

Where go tomorrow?

We'll reach Chernigovka,

join our men there...

and then take the train

to Vladivostok.

Come with me.

It's nice and comfortable in town.

No, thank you.

Me cannot.

What me work in town?

Hunting, no.

Sable chase, no.

At least come to the station with me.

I'll get food

and some money for you there.

Me food, money not need.

Me now search sables.

Sables same money.

What's the matter, Dersu?

Me bad man.

Me want some cartridge.

Olentiev, give him

everything that's left.

Thank you, Captain.

Me tomorrow go straight ahead.

Four suns go.

Find Daubikhe...

then go Ulakhen...

then Fujin.

Me heard...

many, many sable there.

Deer too.

Me heard about it.

People around say.

Now me understand.

Good-bye, military men.

Farewell.

Good-bye, Dersu.

Maybe we'll meet again.

Good-bye, Captain.

Well...

Maybe we'll meet again.

Good-bye.

He's a fine man.

I never met anyone like him.

He's a rare man.

May God give him good health.

In the islands, the hunter

Roams all day long

But no luck for him

And he curses himself

What's he going to do

How is he to serve

He cannot be cheerful

So what

He'll try to aim better

So the hunter goes

To warmer waters

That spring...

once again I set out to traveI

across the Ussurii area.

Go! Go!

Where are you going?

To the left!

Careful! Look after the horses!

For three months, we have been

walking in the forest.

Spring in the forest

quickly gave way to summer.

We've explored a large area.

But if we had Dersu,

we'd have accomplished more.

All this time,

I was thinking with anticipation...

that maybe I would meet him again.

Where are you, Dersu?

Up the spring, go!

Faster, guys.

Bring the water.

Andriucha!

Throw up more branches!

What is taking so long?

Faster, faster! Don't smile!

And you said you would bring a boar!

Vladimir Pavlovich.

I met a hunter two miles from here.

He was asking about our unit-

who we are, who's the captain.

Did you tell him?

How could I, sir?

I know how to keep a military secret.

Eh, Turtygin, Turtygin.

Did he remain there?

No, sir. He started

to collect his backpack.

Vladimir Pavlovich!

Your rifle!

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Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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Submitted on August 05, 2018

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