Dersu Uzala Page #2

Synopsis: A Russian army explorer who is rescued in Siberia by a rugged Asian hunter renews his friendship with the woodsman years later when he returns as the head of a larger expedition. The hunter finds that all of his nature lore is of no help when he accompanies the explorer back to civilization.
Director(s): Akira Kurosawa
Production: Nelson Entertainment
  Won 1 Oscar. Another 7 wins.
 
IMDB:
8.3
Rotten Tomatoes:
71%
G
Year:
1975
142 min
812 Views


Go, go!

Once again, once again!

You won!

- Where is Dersu?

- God knows.

He suddenly decided to take

his portion of vodka and went off.

- He's sitting by the river.

- What's he doing?

Sitting by the fire and singing.

Probably drunk.

Let me tie it.

May I sit with you

for a while, Dersu?

Captain.

Over there my wife and kids die.

Smallpox.

Everyone afraid of smallpox.

Wife, kids, house,

all together burn.

Last night bad dream had.

Yurt will be soon fall down.

Wife, kids in this yurt...

all get freezing.

No eat.

So me come here,

give them everything.

Yesterday, an old men walked along.

This men didn't sleep the night.

- How do you know?

- No sign at camp fire that he sleep.

How do you know he's old?

Young man always walk on his toes.

Old man always walk on his heels.

I met that old Chinese

a few days later.

His name is Li Tsung-ping.

He is 64.

He come from Tientsin.

How did he land here?

Was a woman.

His brother took her.

He went into the mountains.

For 40 years live alone.

Thank you.

It's cold already.

Maybe we should invite the old man

to come over to our fire.

Don't, Captain.

Don't disturb him.

Him now think very much.

He see house, he see garden...

all in blossom.

Captain! Captain!

Li Tsung-ping come say good-bye.

Him now go home.

The ultimate goal

of this expedition...

was to explore the area

around Lake Khanka.

We had to cross bigs swamps

and roadless tracts.

I sent most of the men

and horses to Chernigovka.

Dersu, Olentiev, Krushinovandl...

set out for the lake in a flatboat.

Olentiev, stay here and make camp.

Dersu and I will go on.

Unload.

Captain!

Us go back soon?

Me little scared.

Lake Khanka is not far.

We won't stay there long.

All right, Captain,

you see for yourself.

What is okay is okay.

Silence layover

the frozen reaches of the lake.

Some menace to humans

was lurking in this silence.

Captain!

Have to go back quick.

The wind cover our tracks.

Yes, yes, let's go.

Never mind, Dersu.

Now we'll know where we came from.

From there!

Captain!

Us weren't here. Bad!

Captain! Us lose road!

Road there.

But how do we get there?

There is water all around.

Captain! Sun is low.

Soon night come.

Night come, we die.

If the camp is close by,

they'll hear us.

We'll have to spend

the night here, Dersu.

It's dangerous to go on.

What shall we do?

Captain! Listen.

Listen good.

Have to work fast.

Us not work good, us die.

- What work?

- Cut grass.

Captain! Work fast!

Captain! Work fast!

Captain! Must hold grass!

Take rope!

Captain! Get up! Get up!

As the wind howled,

I sank into darkness.

I don't know how long I slept.

Hey, bear!

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Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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Submitted on August 05, 2018

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