Death of a Salesman Page #3

Synopsis: Salesman Willy Loman is in a crisis. He's about to lose his job, he can't pay his bills, and his sons Biff and Happy don't respect him and can't seem to live up to their potential. He wonders what went wrong and how he can make things up to his family.
Genre: Drama
Director(s): Volker Schlöndorff
Production: Anchor Bay Entertainment
  Won 1 Golden Globe. Another 6 wins & 11 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
100%
PG
Year:
1985
136 min
1,189 Views


from the city.

They should have arrested the builder

for cutting those down.

They massacred the neighbourhood.

More and more I think of those days,

Linda, this time of year.

It was lilacs and wisteria

and then the peonies

would come out... daffodils.

What fragrance in this room.

- People had to move somewhere.

- There's more people now.

- I don't think...

- There's more people!

That's what's ruining this country!

Population is getting out of control!

The competition is maddening!

Smell the stink from that apartment

house and another on the other side!

How can they whip cheese?

Go down, try it and be quiet.

You're not worried about me,

are you, sweetheart, huh?

No, you've got too much on the ball

to be worried about, my darling.

You're my foundation

and my support, Linda.

Oh, just try to relax.

You make mountains out of molehills.

I won't fight with him anymore.

If he wants to go to Texas, let him go.

- He'll find his way.

- Sure.

Certain men just don't get started

till later in life.

Like Thomas Edison, I think,

or B.F. Goodrich.

One of them was deaf.

I'll put my money on Biff.

And Willy, if it's warm Sunday

we'll drive in the country.

We'll open the windshield,

we'll take lunch.

The windshields don't open

on the new cars.

- But you opened it today.

- Me?

I didn't.

Now, isn't that peculiar?

- Isn't that remarkable?

- What, dear?

That is the most remarkable thing.

What, darling?

I was thinking of the Chevy.

1928, when I had that red Chevy.

Isn't that funny?

I could have sworn

I was back in that Chevy today.

That's nothing.

Something must have reminded you.

Remarkable.

Remember those days, huh?

The way Biff used to simonise that car?

Dealer refused to believe

there was 80,000 miles on it.

Close your eyes.

I'll be right up.

Now, you be careful on the stairs.

- The cheese is on the middle shelf.

- Eighty thousand mi...

Eighty-two thousand.

No, I've always made a point

of not wasting my life.

Whenever I come back here I know that

all I've done is to waste my life.

You're a poet, Biff.

You know that?

- You're an idealist.

- No, I'm mixed up very bad.

Maybe I ought to get married, right?

Maybe I ought

to get stuck into something.

Maybe that's my trouble.

I'm like a boy.

I'm not married, I'm not in business.

I'm just like a boy.

Are you content, Hap?

You're a success, aren't you?

Are you content?

- Hell, no.

- Why not? You're making money.

All I can do now is wait for

the merchandise manager to die.

Listen, kid, why don't you

come out West with me?

And you and I?

Maybe we can buy a ranch,

raise cattle, use some muscles.

Men built like we are

should be working in the open.

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Arthur Miller

Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist, and figure in twentieth-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Tennessee Williams's A Streetcar Named Desire.Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he was awarded the Pulitzer Prize for Drama; testified before the House Un-American Activities Committee; and was married to Marilyn Monroe. In 1980, Miller received the St. Louis Literary Award from the Saint Louis University Library Associates. He received the Prince of Asturias Award and the Praemium Imperiale prize in 2002 and the Jerusalem Prize in 2003, as well as the Dorothy and Lillian Gish Lifetime Achievement Award. more…

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Submitted on August 05, 2018

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