Deadline at Dawn Page #2

Synopsis: Alex, a radio-specialist sailor on leave, recovers from a drink-induced blackout with a large sum of money belonging to Edna Bartelli, a B-girl who invited him home to fix her radio. He tries to return the money with the reluctant aid of June Goffe, a sweet but oh-so-tired dance hall girl. They find Edna murdered. Not quite sure he didn't do it himself, Alex and June have four hours in the dead of night to find the real killer before his leave ends. Their quest brings them into contact with a sleazy kaleidoscope of minor characters as the clues get more and more tangled.
Production: RKO Pictures
  1 nomination.
 
IMDB:
6.8
APPROVED
Year:
1946
83 min
133 Views


Half pound of corned beef. No fat.

Half pound of corned beef. Hold the fat.

Quick. Hold the butter. Make it snappy.

Well, is your system balanced yet?

I'm losing respect for myself

and that's the truth.

I don't have any confidence in myself,

not for anything.

I lost out with a certain girl

of whom I cared a good deal.

Because you lacked confidence?

Yes. People say I'm too slow.

They said that...

- Did she give you that bracelet? The girl?

- No, my father did.

That's where the trouble started.

I come home on a pass

and he isn't home.

He took a body to Altoona, Pennsylvania.

A what?

My father's a mortician.

I thought that only happened in jokes.

No. Somebody's father

has to be a mortician, don't he?

My father's got one

of the largest stocks of caskets...

...in Dutchess and Putnam County.

That's where I'm from,

near Poughkeepsie.

My father's a very honest man.

My stepmother don't like it,

but that's how my father is.

Three or four haircuts ago,

that's the last time I seen him.

Gee, here we are both getting blue

this hour of the night.

I'm not blue.

I'm tired.

Oh, I hope you'll excuse me.

The time didn't occur to me.

Non compos mentis.

Oh, that's all right.

I'm beat out. It's this balmy weather.

What's that?

That, colonel, is a ton of law.

A police car.

You see, son...

...it's all right to live in a cocoon like this

if you expect to be a butterfly someday.

Otherwise...

Are you unhappy too, Miss Goffe?

Yes. I was too ambitious.

I better had stayed home

and taken the commercial course.

Now, say good night.

Drop in at The Jungle again.

That's very nice of you, Miss Goffe.

But my pass is up

and I'm leaving on the 6:00 bus.

- I'm very proud to wear this uniform.

- Why not?

And that's what worries me.

I'm sure they'll nab me

before I get to Norfolk.

- Norfolk?

- Norfolk, Virginia where the naval station is.

Is that where you're taking

a 6:
00 bus to?

Right into the terminal on the northeast

corner of Tazewell and Monticello?

I was born in Norfolk.

- You were?

- Yes, I was.

I was. I was.

What's your problem, son?

If you do something for me, I'll help you.

See my mother in Norfolk.

Tell her you saw me. She'll appreciate it.

All she's got down there is a porch

and an old hound dog.

You saw me in a show. Tell her,

in a good leading part, dancing and singing.

Say I looked happy.

I said I'll be home for a visit soon.

But that wouldn't be telling the truth,

would it?

Oh, sure, of course. Why not?

A stickler for the truth.

You'd like to go there

and tell her I'm a dance-hall girl.

That I'm ashamed to go home,

I'm sick with pride and depression.

Rate this script:0.0 / 0 votes

Clifford Odets

Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and director. Odets was widely seen as a successor to Nobel Prize-winning playwright Eugene O'Neill as O'Neill began to retire from Broadway's commercial pressures and increasing critical backlash in the mid-1930s. From early 1935 on, Odets' socially relevant dramas proved extremely influential, particularly for the remainder of the Great Depression. Odets' works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, David Mamet, and Jon Robin Baitz. After the production of his play Clash by Night in the 1941–1942 season, Odets focused his energies on film projects, remaining in Hollywood for the next seven years. He began to be eclipsed by such playwrights as Miller, Tennessee Williams and, in 1950, William Inge. Except for his adaptation of Konstantin Simonov's play The Russian People in the 1942–1943 season, Odets did not return to Broadway until 1949, with the premiere of The Big Knife, an allegorical play about Hollywood. At the time of his death in 1963, Odets was serving as both script writer and script supervisor on The Richard Boone Show, born of a plan for televised repertory theater. Though many obituaries lamented his work in Hollywood and considered him someone who had not lived up to his promise, director Elia Kazan understood it differently. "The tragedy of our times in the theatre is the tragedy of Clifford Odets," Kazan began, before defending his late friend against the accusations of failure that had appeared in his obituaries. "His plan, he said, was to . . . come back to New York and get [some new] plays on. They’d be, he assured me, the best plays of his life. . . .Cliff wasn't 'shot.' . . . The mind and talent were alive in the man." more…

All Clifford Odets scripts | Clifford Odets Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Deadline at Dawn" Scripts.com. STANDS4 LLC, 2024. Web. 23 Apr. 2024. <https://www.scripts.com/script/deadline_at_dawn_6531>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Deadline at Dawn

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.