Deadline - U.S.A. Page #2

Synopsis: Ed Hutcheson, tough editor of the New York 'Day', finds that the late owner's heirs are selling the crusading paper to a strictly commercial rival. At first he sees impending unemployment as an opportunity to win back his estranged wife Nora. But when a reporter, pursuing a lead on racketeer Rienzi, is badly beaten, Hutcheson is stung into a full fledged crusade against the gangster, hoping Rienzi can be tied to a woman's murder...in the 3 issues before the end of 'The Day.'
Director(s): Richard Brooks
Production: 20th Century Fox
 
IMDB:
7.2
PASSED
Year:
1952
87 min
285 Views


Uh, any objections?

Would it make

any difference?

None. Then I have no objections.

The reason it was decided

- Must we go into detail?

I don't feel well.

My entire staff

feels the same way.

Oh, Ed. What do Alice or

i know about newspapers?

Gives you an income.

We never even come down here

except twice a year for meetings.

You're invited

every day.

Mrs. Courtney's husband feels the money

could be invested more wisely elsewhere.

John Garrison founded this paper,

not Mrs. Courtney's husband.

We're taking care of you, Ed. What?

We always try anyhow. You're to

get one percent of the sale price.

Your share will amount to slightly

more than $50,000. Thank you.

You're to notify all personnel

they will receive two weeks' pay.

- In the meantime - Wait a minute,

this sounds as if we're being closed down.

Who's buying the day? What

difference can it make?

To the 1500 people who work for

you, it makes a lot of difference.

Well, who is buying it?

Or are you ashamed of it?

Lawrence white

is the buyer.

White? We're being sold to The Standard.

Oh, I think

I'm going to vomit.

So do I.

Mr. White's paper

is very successful.

He will undoubtedly make

this one more profitable too.

It won't be this paper anymore.

It'll be lost in The Standard.

As far as we're concerned,

his offer is a generous one.

He's only buying our circulation,

features and goodwill.

He's eliminating his

competition, that's all.

Mrs. Garrison, you've got to stop them.

Your husband created a new kind

of journalism, and you helped him.

Take a look at the first

paper you ever printed.

Here. Page one.

Quote:

"This paper will fight

for progress and reform.

"We'll never be satisfied

merely with printing the news.

"We'll never be afraid

to attack wrong,

Whether by predatory wealth

or predatory poverty."

You're not selling

the day, you're killing it.

The hearing to approve

the sale will take place...

in surrogates court

day after tomorrow.

You'll be there, of course.

I never go to funerals.

I think

i like that man.

Too excitable, much.

It might be advisable to replace

him until the sale is consummated.

Oh, shut up.

Please.

Stop it! Stop it!

Come on. Get him, Frank.

Kill him, Frank. Kill him.

Hey, cut it out.

You all right?

In the pink.

Yeah.

What happened?

One punch, six pushes, two kicks,

lots of hollerin', no decision.

Henry? Well, I was settin'

there, minding my own business-

He's been asking for it. Heard

the rumor. Quit without notice.

Took a job at the record.

The rumor? Well, how

about it, Mr. Hutcheson?

Is it a rumor? We have a right

to protect ourselves, haven't we?

Well, go ahead.

Tell us we got

nothing to worry about.

Rate this script:0.0 / 0 votes

Richard Brooks

Richard Brooks (May 18, 1912 – March 11, 1992) was an American screenwriter, film director, novelist and film producer. Nominated for eight Oscars in his career, he was best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958) Elmer Gantry (1960; for which he won the Academy Award for Best Adapted Screenplay), In Cold Blood (1967) and Looking for Mr. Goodbar (1977). more…

All Richard Brooks scripts | Richard Brooks Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Deadline - U.S.A." Scripts.com. STANDS4 LLC, 2024. Web. 23 Apr. 2024. <https://www.scripts.com/script/deadline_-_u.s.a._6530>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Deadline - U.S.A.

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.