Dead End Page #2

Synopsis: The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man's mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people.
Director(s): William Wyler
Production: MGM
 
IMDB:
7.4
Rotten Tomatoes:
89%
APPROVED
Year:
1937
93 min
465 Views


I was telling her what a swell girl you were

and how hard you've worked.

There. Picketing all day

is hard on the shoes.

The paper keeps 'em

from wearing out.

It may save the shoes,

but it's hard on the feet.

I'm complaining.

When I think of the other people

who are striking,

most of them with big families.

I've only got Tommy and me

to worry about.

What's the matter, Drina?

Nothing. Nothing.

Boy, ain't that something?

You should've seen what used to be there.

What for?

I don't want to even see it now.

I don't wanna hear you

say it every minute.

Nobody knows us, so shut up.

- Hiya, Dave.

- Hiya, T.B.

Come on, Dippy.

Let's see you dive in.

Okay, okay, I'm goin'.

Look at me, look at me.

I'm divin'. A back-jack!

Get someone to knock you in.

I'm comin', I'm comin'.

My head acts funny.

Aw, get out and let me alone.

I'll go in. Get out of here, will ya?

- Hey, kid.

- What?

You got sense enough

to run an errand?

Sure, where?

What are you doing? I'll go.

418, third floor, second door.

Tell the old lady there

a friend wants to see her.

Okay. 418. Okay.

I know you, don't I?

No.

- Why, you're...

- He said no, didn't he?

Why, you're Martin.

Baby Face Martin.

My name is Johnson, get it?

Johnson.

Sure. And my name is Dave Connell.

Remember me?

I used to be one of the gang

of kids here... Johnson.

Yeah. Yeah, sure.

You weren't such a bad kid.

Still good at keepin' your lips

buttoned up?

Depends on how good you are

keeping your hands buttoned up.

Don't worry.

I ain't looking for trouble.

What are you gonna do about him?

Nothing.

Nothing as long as he shuts up.

And he'll shut up.

Had your face fixed up?

Yeah.

Been readin' about me

in the papers, huh?

Go on over and try that address

in Brooklyn, see if you can find her.

And get something for your nerves

while you're over there.

Go on, beat it.

I'm sending him over for Francey.

Remember Francey?

- Francey?

- She was my girl when we was kids.

Oh, yeah, I remember. Nice kid.

Yeah, you bet. They don't make 'em

no better than Francey, I know.

You ain't seen her around here

lately, have you?

No. She moved away a long time ago.

You're gettin' to be

quite a headliner, huh?

All over the newspapers.

Should you be around here?

I ain't here. I'm out West.

I got kind of a yen to see

my old lady and Francey.

You know, I ain't seen my mother

in ten years,

not since the day I come out

of reform school.

You've come a long way since then.

Killed eight men.

What are you trying to do?

Tell me off?

No. I guess I'm just jealous

'cause you got away from here.

Yeah, far away.

What's your racket?

Me? I'm an architect.

Build houses. That is,

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Lillian Hellman

Lillian Florence Hellman (June 20, 1905 – June 30, 1984) was an American dramatist and screenwriter known for her success as a playwright on Broadway, as well as her left-wing sympathies and political activism. She was blacklisted after her appearance before the House Committee on Un-American Activities (HUAC) at the height of the anti-communist campaigns of 1947–52. Although she continued to work on Broadway in the 1950s, her blacklisting by the American film industry caused a drop in her income. Many praised Hellman for refusing to answer questions by HUAC, but others believed, despite her denial, that she had belonged to the Communist Party. As a playwright, Hellman had many successes on Broadway, including Watch on the Rhine, The Autumn Garden, Toys in the Attic, Another Part of the Forest, The Children's Hour and The Little Foxes. She adapted her semi-autobiographical play The Little Foxes into a screenplay, which starred Bette Davis and received an Academy Award nomination in 1942. Hellman was romantically involved with fellow writer and political activist Dashiell Hammett, author of the classic detective novels The Maltese Falcon and The Thin Man, who also was blacklisted for 10 years until his death in 1961. The couple never married. Hellman's accuracy was challenged after she brought a libel suit against Mary McCarthy. In 1979, on The Dick Cavett Show, McCarthy said that "every word she writes is a lie, including 'and' and 'the'." During the libel suit, investigators found errors in Hellman's popular memoirs such as Pentimento. They said that the "Julia" section of Pentimento, which had been the basis for the Oscar-winning 1977 movie of the same name, was actually based on the life of Muriel Gardiner. Martha Gellhorn, one of the most prominent war correspondents of the twentieth century, as well as Ernest Hemingway's third wife, said that Hellman's remembrances of Hemingway and the Spanish Civil War were wrong. McCarthy, Gellhorn and others accused Hellman of lying about her membership in the Communist Party and being an unrepentant Stalinist. more…

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