Crazy Horse Page #3

Synopsis: In Crazy Horse, he pulls back the curtain on Le Crazy Horse de Paris, a landmark that has prided itself as "the best nude dancing show in the world" since 1951. Le Crazy Horse sets itself apart from the average strip club by adhering to exacting standards in choreography, lights and physiques. The erotic revue is composed of songs and sequences that blend traits of old-fashioned burlesque, Bob Fosse and Cirque du Soleil, designed not only for the enjoyment of men, but also couples.
Genre: Documentary
Director(s): Frederick Wiseman
Production: Zipporah Films
  1 nomination.
 
IMDB:
6.4
Metacritic:
72
Rotten Tomatoes:
85%
NOT RATED
Year:
2011
134 min
$150,477
Website
579 Views


though l agree with you.

Youll work all summer?

Well do Venus.

What happened with Venus?

Didnt I tell you?

Well the girls often

come out of this act in tear

They hate touching each other

They dont like it

Because of the bizarre culture they have here

The girls are definitely not dirty

They really hate touching each other...

They are modest

Getting closer than this...

there seems to be an invisible wall

they bump into, and they wont get closer

And what if it was a solo?

They do have a problem pretending to do things

Very few like to pretend.

So we should work on it

so that it becomes technically possible.

I like Zulas idea, even if l must check on it

to put moon boots on the revolving cage

The first cosmonaut would have to go like this

It could be funny and interesting

but it means work and

another technical challenge

Well see.

Yes!

Shall we have the second group?

It,s half an inch short here

Here we go

On the third cha, off you go.

Over here.

Then you move on...

You move on...

Youre too...

You have to do everything sideways

Right, much nicer

Its really good

Yeah, its

The shadows are dancing

Go.

And... one... and ...two...

And then... a lesson in shadows.

I place my body according to focus

Like in front of a camera lens

The focus is there.

You always have to... even if its weird,

you have to play like this, or like that,

in order to make the body visible

Sharper saut de chat

A saut de chat should make you move to the side,

thats the idea.

Dont stay there.

Right! You move to the side

Its 6 oclock, girls.

We should stop.

Thank you very much, girls

So France Billets, perfect.

A Diamond package

Francis?

Right

For two?

All right.

Your name, please?

First name, please. Michel

Perfect. May I have your mobile number?

A pro forma invoice?

Yes

Good evening.

On stage in twenty-five minutes.

A dancer for stage manager.

Any dancer?

Zula, did i give you the invitation?

Yes, thanks.

I love the show.

Some things need to be improved.

We dont know about the wigs

But I found the music really pleasant and funny.

It stays in your head

But now, I dont feel good with the ending

Whispers?

It needs revision.

Even more than the finale

Like what?

It needs something

Right now, it falls flat.

Good evening.

Perfect, thank you.

I believe thats us.

Yes, actually.

So, somewhere...

Somewhere here or over there...

Or maybe here?

Yeah, that will be good.

Take this gentleman to number 417.

Instead of number 212

Sir

Youre welcome, have a nice show, Sir

Good evening.

Smile, please.

Baby, cant you see?

Im calling.

A guy like you should wear a warning.

its dangerous, Im falling...

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Robert Schenkkan

Robert Frederic Schenkkan, Jr. (born March 19, 1953) is an American playwright, screenwriter, and actor. He received the Pulitzer Prize for Drama in 1992 for his play The Kentucky Cycle and his play All the Way earned the 2014 Tony Award for Best Play. He has three Emmy Nominations and one WGA Award. more…

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Submitted on August 05, 2018

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