Col cuore in gola (Deadly Sweet) Page #2

Year:
1967
98 Views


Ah, well, yeah.

Often enough, yes.

- Where does he go?

- I don't know.

To his friends, boys and girls.

But why are you asking me for that?

Oh, Bernard, tell me what

you're thinking of.

I think, dear Jane, that your dear Jerome

must know a lot of things about this story.

At London, a demonstration

against violence

in Trafalgar Square.

Don't worry, we'll find him,

you'll see.

Come on, move.

Let's go and search for him.

Why are you silent?

Why should I speak?

Tell me something about Jerome.

There's a little to say.

He uses to speak a little too.

Let's search for him where he

uses to go.

Also Edgar says that the best

way to hide for someone

is to make himself very

conspicuous.

Citizens of London, let's restore

stakes, death sentence and flogging.

Let's sentence alcohol, smoking,

gambling, sex.

Let's set fire to miniskirts

And destroy chocs with liqueur.

Let's chase away gays,

socialists, suicides, fornicators.

Stop with the modern

immoral morals.

Ehm, stop with the Beatles

and the Rolling Stones.

Let's start all over again. "

Let's start all over again.

Who are you, my angel?

My name is Jane Burroughs,

My parents are dead. Height, 5

feet and 4 inches and a half.

Blonde hair, blue eyes.

Nothing as to particularities.

- Breast, 34. Hips?

- I don't know.

But your mother is not dead.

Martha isn't my mother. Mama

died when I was 7 years old.

And the day when daddy

got married again with Martha,

it's like as he had

died too.

I grew up alone with Jerome,

so we care for each other.

He's more than a brother,

for me.

I wish I had lived a life similar

to those stupid movies indeed.

A chimney, a visit to a zoo

on Sunday, mama and daddy

who care for each other.

Daddy was incredible.

If he lost some money in winter, he

used to earn the double in summer.

- And you?

- I'm a descendant of Napoleon, it's different for me.

Really?

- Ah, now I understand.

- What do you want to understand? I'm an actor.

- Stop it, stupid.

- Seriously, acting and lying is my job.

- Are you acting at this moment too?

- Je ne sais pas. [I don't know (in French)].

Damn! I wonder why I'm following

you, just "je ne sais pas".

- What "je ne sais pas"?

You don't know why you're here with me?

- No.

It's to find out that picture

again, no?

Ah, yeah, that picture. But tell me

a thing, so what's on that picture?

Find it and you'll see.

Why should I get stuck

with this story?

Bernard!

You're just a child.

I know, but I don't

want to grow up.

I could cry if I think

I'll be older one day

- and I will no longer understand anything.

Nothing about nothing. Is it bad?

- Yes.

It's good and bad.

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Tinto Brass

Giovanni "Tinto" Brass (born 26 March 1933) is an Italian filmmaker. In the 1960s and 1970s, he directed many critically acclaimed avant-garde films of various genres. Today, he is mainly known for his later work in the erotic genre, with films such as Caligula, Così fan tutte (released under the English title All Ladies Do It), Paprika, Monella (Frivolous Lola) and Trasgredire. more…

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Submitted on August 05, 2018

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