Cobrador: In God We Trust Page #2

Synopsis: 1) globalization of violence, violence of globalization? 2) serial killers, social killers? 3) a mine in brazil some murders in new york others in miami how are they connected? 4) "who's putting dynamite at the head of the century" asks tom zé -singing- at the end of the film 5) "cobrador - in god we trust" is an invitation to search the answers to these questions. "cobrador - in god we trust" is an attempt to find the answers to these questions.
Genre: Drama
Director(s): Paul Leduc
  3 wins & 8 nominations.
 
IMDB:
6.1
Year:
2006
92 min
61 Views


He's crazy. He's always writing

in his little notebook.

Drink is water

Food is grass

What are you thirsty for?.

What are you hungry for?

Peopie not oniy want to eat

Peopie want to eat

and want to make iove

Peopie not oniy want to eat

Peopie want pieasure

to reiieve their pain

Peopie not oniy want money

Peopie want money and happiness

Peopie not oniy want money

Peopie want aii of it

and not just haives

"We are not guerriiia

norterrorists.

We're neither

drug deaiers northieves.

but we are owed many things

We are owed pienty. "

"We are simpiy coilecting on a debt

And as iong as they owe us,

we'ii keep on coiiecting. "

These words were expressed today

and circulated around the world.

"They owe us food, blankets,

shoes, they owe us homes,

cars, watches,

teeth, schoois.

They owe us girifriends, turntabies,

respect, ice cream, footbaiis.

They have many things to pay for. "

"They owe us meat

and syringes, poems,

pencils, sailboats,

happiness, news reports,

songs, memories,

clean shirts,

clean kitchens,

clean tears. "

This statement was reieased shortiy

after an expiosion at a shopping maii.

No group has ciaimed

responsibiiity forthis incident.

Who is piacing dynamite

on the head of the century?

Who is piacing so many iice.

on the head of the century?

Who is piacing so many screams

in the head of the century?

Who is piacing the piiiow

under the head...

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Rubem Fonseca

Rubem Fonseca (born May 11, 1925) is a Brazilian writer. He was born in Juiz de Fora, in the state of Minas Gerais, but he has lived most of his life in Rio de Janeiro. In 1952, he started his career as a low-level cop and, later became a police commissioner, one of the highest ranks in the civil police of Brazil. Following the steps of American novelist Thomas Pynchon, a close friend of Fonseca, he refuses to give interviews and feels strongly about maintaining his privacy.His stories are dark and gritty, filled with violence and sexual content, and usually set in an urban environment. He claims a writer should have the courage to show what most people are afraid to say. His work is considered groundbreaking in Brazilian literature, up until then mostly focused on rural settings and usually treating cities with less interest. Almost all Brazilian contemporary writers acknowledge Fonseca's importance. Authors from the rising generation of Brazilian writers, such as Patrícia Melo or Luis Ruffato, have stated that Fonseca's writing has influenced their work.He started his career by writing short stories, considered by some critics as his strongest literary creations. His first popular novel was A Grande Arte (High Art), but "Agosto" is usually considered his best work. In 2003, he won the Camões Prize, considered to be the most important award in the Portuguese language. more…

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Submitted on August 05, 2018

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