Christopher and His Kind Page #4

Synopsis: In 1931 budding author Christopher Isherwood goes to Berlin at the invitation of his friend W. H. Auden for the gay sex that abounds in the city. Whilst working as an English teacher his housemates include bewigged old queen Gerald Hamilton and would-be actress Jean Ross, who sings tunelessly in a seedy cabaret club. They and others he meets get put into his stories. After a fling with sexy rent boy Caspar, he falls for street sweeper Heinz, paying medical bills for the boy's sickly mother, to the disapproval of her other son, Nazi Gerhardt. With Fascism rapidly rising Christopher returns to London with Heinz but is unable to prevent his return to Germany when his visa expires. Years later Christopher, now a successful writer, returns to Berlin for a final meeting with Heinz, now married with children.
Director(s): Geoffrey Sax
  2 nominations.
 
IMDB:
7.0
TV-14
Year:
2011
90 min
250 Views


I haven't yet found a publisher for the second.

Has it sold simply thousands?

About 300, actually.

The one you write about me

shall sell by the million.

About you?

Of course, darling. Jean Ross.

Woman of mystery.

I'm not sure you're that mysterious.

Do you know,

I think we're going to get along famously.

You will write about me, won't you, darling?

Maybe.

One can't afford to wait, sweetie.

This whole thing is about to collapse

around our ears.

Carpe diem, darling.

Oh, damn. I suppose I better go

and meet the old goat.

He's promised to introduce me

to Max Reinhardt.

I don't believe him for a second.

Why are men always such beasts, darling?

Chris, could you be an angel

and lend me ten marks?

I... I haven't got a bean for the taxi.

She said his underpants were like camel hair.

The sort of thing John the Baptist might wear.

You're very quiet.

Touch of sunstroke.

You know, coming to Berlin

is the first honest thing I've done in my life.

And it's all thanks to you.

I doubt your mother sees it quite like that.

He's rather lovely, don't you think?

Caspar.

So, tell me, have you come to Berlin

to sample the culture?

I wouldn't quite say that.

In fact, I'm rather anti-culture.

- Like the Nazis?

- Oh, no.

Not in that way. It's just I'm rather put off

by culture worshippers.

I find them somewhat precious

and prone to gushing.

Do you find me somewhat precious

and prone to gushing?

No, I'm sure you're not.

But the danger is that one can use

culture worship as a substitute

for engaging with the messy business of living.

See, I find all this so very interesting.

You are a writer, but do not like culture.

It is my belief that culture raises us

from the beasts.

I wonder, Herr Landauer,

why you've employed me to teach you English.

You seem to speak it perfectly well.

One has to - how do you say? - Keep in practice.

Good.

What exactly is it that you do?

I am a shopkeeper.

A shopkeeper?

That is precisely what I am.

As in Landauer's Department Store?

Yes.

That's where I buy my socks.

Do you engage in politics, Herr Isherwood?

Actually, no. I'm not really much of a joiner.

I seem to be constitutionally incapable

of bringing myself to the required er...

...pitch of enthusiasm.

I have my sympathies, of course.

We can no longer afford the luxury of sympathy.

I rather suspect

I'm best equipped to observe and record.

That will not be an option.

When the Nazis come to power

we must take to the streets.

Not only Jews like myself,

but all of us, Herr Isherwood.

We must take to the streets and stay there,

even when the storm troopers start firing.

I'm not sure I'd hack it as a street fighter.

Forgive me, but are you not then as guilty

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Christopher Isherwood

Christopher William Bradshaw Isherwood (26 August 1904 – 4 January 1986) was an English-American novelist. His best-known works include The Berlin Stories (1935–39), two semi-autobiographical novellas inspired by Isherwood's time in Weimar Republic Germany. These enhanced his postwar reputation when they were adapted first into the play I Am a Camera (1951), then the 1955 film of the same name, I am a Camera; much later (1966) into the bravura stage musical Cabaret which was acclaimed on Broadway, and Bob Fosse's inventive re-creation for the film Cabaret (1972). His novel A Single Man was published in 1964 and adapted into the film of the same name in 2009. more…

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Submitted on August 05, 2018

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