Charles Bradley: Soul of America Page #3

Synopsis: Starting off on his 62nd birthday, Charles Bradley: Soul of America follows the extraordinary journey of singer Charles Bradley during the electrifying and transformative months leading up to the release of his debut album "No Time for Dreaming." The 74-minute documentary feature will premiere at the SXSW 2012 Film Festival in Austin, Texas. Despite being abandoned as a child, a period of homelessness, the devastating loss of his brother and constant poverty, Charles never gave up on his life long dream to be a professional singer. With the help of producer and Grammy-winner Gabriel Roth (Daptone Records) and musician Tommy Brenneck, Charles moved away from the James Brown covers he'd been performing for nearly half a century and focused on finding his own unique voice. Earning himself an opening spot on tour for Sharon Jones, the biggest artist in the Daptone stable, Charles delivered the most impassioned performances of his life. Coming up during one of the worst economic downturns i
Director(s): Poull Brien
Production: Sum Of Us
  2 nominations.
 
IMDB:
7.6
NOT RATED
Year:
2012
75 min
Website
65 Views


I have no life.

My life is her.

For me to be with someone,

I don't even know how to do it.

When Charles' mother first left Florida to go to new York,

Charles was only eight months of age.

Eight months old.

And she stayed away so long that when she came back for the first time,

he didn't recognise her, he didn't know she was his mother.

He thought that his grandmother really was his mother.

She abandoned, actually, in a way, her children

to follow...

..a man who had a wife

that she was very crazy about.

Otherwise, she probably would never have gone to New York.

I was about the age of seven or eight years old.

My mother told my grandmother, "I want him to come back to New York with me."

My grandmother said, "No, let them stay here. They'll get a better education if they stay with me."

So my mother says, "No."

My grandmother says, "You're not taking them," so my mother stole us.

That's what I did.

I really hate to say this, but I think at that time,

it was hard to find jobs,

so there was only one way if you had some kind of dependents

that you can get some welfare.

And I feel like that's what she was doing to get the welfare

by having those kids there.

During his infancy,

now, he was the favourite child.

He received all the love and care from his older brothers and sisters and his grandmother

and his uncles and all of us because he was the baby.

When Charles went to New York, that's when he lost all of that.

I was living with my mom and I was afraid she would hurt me, so I left.

We couldn't see eye to eye. I was getting blamed for everything.

I was very bitter. It seemed like everything was rationed to us.

I was in a basement worse than this one.

You know, it was this sand basement. It was no concrete basement.

A 15-watt bulb of light and I said, "No, I can't take this."

I said, "I don't want it, I'm going." So I left.

I was 14 years old.

My home was the subway train. That's where I'd keep warm.

I'd get on the subway train some nights, winter nights, cold, riding the A-Train back up and down.

The police would hit the darn thing real hard and say, "Kids, you got to get off."

I'd go across the platform and get another train going back.

I'd sleep, get me a little corner.

I'd get the stick real hard and it'd penetrate through my head.

He'd say, "Get up. You can't sleep here."

So, I'd just keep going different routes

to get a night's sleep before daylight come.

And I'd see myself what's going down

because everybody in those days was getting high using hard drugs.

I'd be watching while they're shooting up and they'd try to give it to me.

I got scared and I was afraid of needles. I'd say, "No, no, no."

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Submitted on August 05, 2018

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